標準版 Z Fold8：より薄く軽量化（展開時約4.1mm、210g）され、洗練されたフラットエッジと改良されたヒンジが採用される見込み。内側のディスプレイは約8インチで、6.5インチのカバー画面と組み合わされる。プロセッサはSnapdragon 8 Elite Gen 5（Galaxy用）または同等品で、12/16GBのRAMと最大1TBのストレージを搭載。バッテリー容量は5,000mAhで、45Wの有線充電に対応。カメラのアップグレードとして、2億画素のメインセンサーと強化された超広角レンズが搭載され、これまでの制限を克服する可能性がある。
Z Fold8 Wide：この「ちび」バージョンは、展開時に正方形に近いアスペクト比を採用し、メディア視聴と生産性の向上を目指しています。これにより、サムスンは潜在的な競合他社に対して優位性を確立し、価格も若干抑えられる可能性があり、高度な折りたたみ式デバイスをより身近なものにするでしょう。
私のような折りたたみ式スマートフォンのファンにとって、Galaxy Z Flip8は、よりスリムな形状、より広いカバー画面、約4,300mAhのバッテリー、そして50MPのメインカメラなど、重要なアップグレードをもたらしてくれる。プロセッサのオプションには、国際版ではExynos 2600が含まれる。しかし、これが最後のZ Flip専用モデルになるかもしれないという噂もある。
Samsung’s summer Galaxy Unpacked event, long a highlight for foldable enthusiasts, is rumoured to take place on 22 July 2026 in London. As a long-term owner of multiple Z Flip models, this event carries particular weight. Will it deliver the refinements fans crave, or signal shifts in Samsung’s foldable strategy? This in-depth guide examines the expected lineup, addresses key rumours, & offers balanced analysis for those weighing an upgrade.
Confirmed Rumours & Event Context
Multiple Korean media outlets, including the Seoul Economic Daily, reported in May 2026 that Samsung plans a major Unpacked in London on 22 July. While Samsung has yet to issue official invitations, the timing aligns with past summer launches for foldables. The February 2026 event in San Francisco focused on the Galaxy S26 series; July typically spotlights book-style & clamshell foldables alongside wearables.
This year’s event could mark one of Samsung’s most ambitious foldable pushes, with up to six devices. It builds on the company’s leadership in flexible displays, a category it helped popularise since the original Galaxy Fold in 2019. Yet challenges remain: durability concerns persist among users, & broader industry shifts toward AI integration add complexity.
Galaxy Z Fold 8 & the New Wide Variant
The headline devices will likely be the Galaxy Z Fold8 & its new sibling, the Z Fold8 Wide.
Standard Z Fold8: Expected to be thinner & lighter (around 4.1 mm unfolded & 210 g), with refined flat edges & an improved hinge. The inner display should measure approximately 8 inches, paired with a 6.5-inch cover screen. Power comes from a Snapdragon 8 Elite Gen 5 (for Galaxy) or equivalent, supported by 12/16 GB RAM & storage up to 1 TB. Battery capacity may reach 5,000 mAh with 45 W wired charging. Camera upgrades could include a 200 MP main sensor & enhanced ultrawide, addressing past limitations.
Z Fold8 Wide: This “chibi” variant introduces a more square aspect ratio when unfolded, aimed at better media consumption & productivity. It positions Samsung against potential competitors & may carry a slightly lower price point, making advanced foldables more accessible.
These models continue Samsung’s evolution toward durable, practical book-style foldables. Historical context shows incremental gains in hinge reliability & crease reduction since the Fold 3, though real-world longevity still depends on careful handling.
For clamshell fans like me, the Galaxy Z Flip8 brings meaningful upgrades: a slimmer profile, larger usable cover screen, ~4,300 mAh battery, & a 50 MP main camera. Processor options include Exynos 2600 internationally. Yet rumours suggest it could be the final dedicated Z Flip model.
Evidence stems primarily from a mid-May 2026 Weibo report claiming no active development for a Flip9. Samsung reportedly plans higher production for Fold models (around 3.5 million units versus 2.5 million for the Flip 8), citing rising component costs & stronger demand for book-style devices. Diminishing returns on clamshell innovation & durability challenges also factor in.
As someone who experienced a Flip4’s hinge-area dead spot & flickering after roughly 15 months, these concerns resonate. Early Flips suffered higher failure rates from flex cable strain. Later models improved, with Samsung rating hinges for approximately 200,000 folds. The Flip 8’s refined design should extend usability, yet foldables remain inherently more vulnerable than slab phones due to moving parts.
Likelihood of discontinuation remains low to moderate. Samsung has not commented officially, & strong Flip8 sales could reverse any pause. Even if the pure line slows, variants or ecosystem support may continue. For loyal users, the 8 could serve as a capable long-term keeper with Samsung Care+ coverage.
Expect the Galaxy Watch9 & Watch Ultra 2, emphasising AI health monitoring, improved sensors, & battery life. No Classic variant is widely anticipated this cycle. These build on Samsung’s strength in wearables, offering seamless integration with phones for fitness & notifications.
Galaxy Glasses: AI Companions Without the HUD
Teased at Google I/O 2026 with partners Gentle Monster & Warby Parker, Samsung’s Galaxy Glasses (Android XR) arrive as stylish, lightweight audio-first eyewear. Features include a camera for photos, mics/speakers for calls & music, & Gemini AI for real-time translation, navigation, summaries, & agentic tasks. They offload processing to your phone & work across Android & iOS.
Importantly, initial 2026 models lack built-in displays. They resemble advanced Ray-Ban Meta glasses rather than Even Realities’ micro-OLED HUD or Apple Vision Pro’s immersive spatial computing. A display-equipped version may follow in 2027. Unpacked should provide Samsung-specific details, pricing, & ecosystem ties. For enthusiasts seeking subtle AI assistance without visual overlays, these offer practical appeal; those wanting HUD functionality will wait.
Advanced Gemini Intelligence features (deeper on-device agents, proactive automation) require strong NPUs, at least 12 GB RAM, & newer silicon. The Z Fold 8 & Flip 8 should qualify fully, while older devices like the Flip 6 receive continued Galaxy AI updates but not the complete next-generation suite. Samsung aims to expand overall AI reach to hundreds of millions of devices via software, yet cutting-edge capabilities favour 2026 hardware.
All devices will ship with the latest One UI based on Android 16, promising years of support.
Flip enthusiasts: The 8 offers the best refinement yet. Consider Samsung Care+, quality cases, & mindful use to maximise longevity. If discontinuation rumours hold, stock up on accessories or plan for the 8 as a keeper.
Fold seekers: The standard 8 or Wide variant delivers bigger-screen productivity with improving durability.
Budget & timing: Expect pre-orders shortly after the event, with global availability in late July or early August. Trade-in deals & bundles typically sweeten launches.
Durability balance: While foldables have advanced, they demand care. Many users achieve 2–4 years of service; others encounter issues sooner, as my Flip 4 experience illustrates.
Samsung’s foldable journey reflects broader consumer electronics history: rapid iteration balanced against reliability & cost. From niche experiments to mainstream contenders, the category rewards patience & informed choices.
Read more on the February 2026 Unpacked for context on recent Galaxy AI & S26 features:
For durability discussions, explore related foldable analyses on the site.
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FAQ
Is the 22 July date confirmed? No official confirmation yet, but credible reports make it highly probable.
Will the Z Flip8 be the last? Speculative based on limited sources. Monitor post-launch sales.
Are Galaxy Glasses full AR? No — initial models are audio/AI companions without displays.
What about Gemini updates on older Flips? Continued support for existing features; advanced Intelligence likely limited to newer hardware.
Should I upgrade from a Flip6? Depends on your priorities. The 8 likely to bring tangible improvements in design, cameras, & AI readiness.
Stay tuned for official details as July approaches. What device interests you most?
Unless otherwise noted, image assets above are NOT original content & are shared under fair use doctrine with NO claims to authorship or ownership. Contact necrolicious@necrolicious.com for credit or removal.
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If you would like to support my work more directly, I accept voluntary cryptocurrency donations in BTC, ETH, XRP & XLM sent directly to necrolicious.x. necrolicious.x is an Unstoppable Domains name that resolves to the wallet addresses I have configured. Simply enter necrolicious.x as the recipient in a supported wallet (such as Trust Wallet, Blockchain.com or others that support Unstoppable Domains). Donation Disclaimer: All cryptocurrency donations sent to me are final, voluntary gifts & are non-refundable & irreversible. These donations are not tax-deductible since I am not a registered charitable organization, & no tax receipts will be issued. No memo or destination tag is required for XRP or XLM donations, as the domain resolves directly to a wallet address. By sending a donation you acknowledge & accept all associated risks, including cryptocurrency price volatility, network fees & potential loss of funds due to incorrect network selection or transaction errors. I am not responsible or liable for any loss related to your donation. No goods, services or other benefits are provided in exchange for donations. This is not financial, tax, legal or investment advice. Please consult a qualified professional regarding any implications of your donation.
Mossad booby‑trapped 21,000 communication devices with explosives, sent them to Lebanon through shell companies, and detonated them remotely — killing dozens (including children) and injuring over 3,400.
• The devices exploded in people's hands, on their faces, and in their… https://t.co/h6NKdRUvEJ
Kim Dotcomをはじめとする影響力ある声が、5万人を超えるボイコット呼びかけに加わっている。これらのつながりが、消費者向け電子機器を監視ノードに変えることを強調している。Appleは単に部品を調達しているのではない。国際規範を繰り返し無視する無法国家のために鍛えられた技術を統合しているのである。
I have long celebrated technological innovation that empowers users rather than endangers them. Yet the launch of the iPhone 17e forces a stark reckoning. This device does not merely represent another incremental upgrade in camera resolution or battery life. It embeds israeli-developed technology deep into the hardware that billions carry in their pockets every day. Given israel’s recent civilian-targeted pager attack that killed dozens of people, including children & other innocent bystanders, I think it’s safe to say that if most people knew that israel had any involvement in these new iPhones, no one would buy them.
We must refuse to remain silent. The time has come for a total boycott of Apple & a clear message to every manufacturer: we want no part of israel or its technological developments. The entity has committed crimes against humanity blatantly in Gaza & covertly worldwide through espionage networks that stretch from Epstein-style operations to similar intelligence fronts. It has proven there is no low it will not stoop to in order to expand its territory. Consumers must act now to reject this complicity before the next device turns from communication tool into instrument of control or worse.
The Pager Precedent: israel’s Blueprint for Remote Terror
The 2024 Lebanon pager explosions offer the clearest warning. Mossad booby-trapped 21,000 communication devices with explosives, routed them through shell companies, & detonated them remotely. Dozens died, including children. Over 3,400 were injured. Explosions ripped through hands, faces, & pockets across two consecutive days, with the second wave striking families at funerals of the first day’s victims.
Mossad booby‑trapped 21,000 communication devices with explosives, sent them to Lebanon through shell companies, and detonated them remotely — killing dozens (including children) and injuring over 3,400. • The devices exploded in people’s hands, on their faces, and in their pockets. • They did it over two consecutive days. • On day two, the explosives went off while Lebanese families were at the funerals of those killed the day before. • The attack inflicted roughly 3,000 injuries in a single hour on the first day alone. This terrorist attack was the largest simultaneous mass‑detonation in history by the number of individual bombs. ‘israelis’ joke about it to this day. If you didn’t boycott Apple for the Congo, boycott it now. –Dr Rahmeh Aladwan
Mossad booby‑trapped 21,000 communication devices with explosives, sent them to Lebanon through shell companies, and detonated them remotely — killing dozens (including children) and injuring over 3,400.
• The devices exploded in people's hands, on their faces, and in their… https://t.co/h6NKdRUvEJ
As Dr Rahmeh Aladwan laid out in her widely shared post, this was the largest simultaneous mass-detonation in history by number of individual bombs, yet jew-supremacists joke about it to this day. This calculated slaughter of civilians certainly should make a boycott obvious. The operation demonstrates Israel’s willingness to weaponise everyday technology against entire populations. If you’re not jewish & think you won’t be next, you’re kidding yourself.
Apple’s israeli R&D
The iPhone 17e carries the same pattern forward. The hardware is identical across all global variants sold in more than 190 markets. No regional carve-outs exist. Every unit ships with Israeli engineering baked in.
The Israeli government now has the ability to switch off your phone, locate you, hack you, incriminate you, all at the easy press of a button.
Adam Media’s recent analysis cuts through the corporate fog: “The Israeli government now has the ability to switch off your phone, locate you, hack you, incriminate you, all at the easy press of a button. This is a kill switch.” The post also highlights Apple’s digital cleansing of Lebanese villages from its Maps platform, erasing names & landmarks while israeli labels remain intact. Apple’s official statements claiming the data “had never been featured” only confirm the selective blindness.
Influential voices such as Kim Dotcom have joined the chorus of over 50,000 people calling for the boycott, underscoring how these ties transform consumer electronics into potential surveillance nodes. The pattern is unmistakable. Apple does not merely source components; it integrates technology forged in service of a rogue, jew-supremacist state that has repeatedly demonstrated contempt for international norms.
Moral & Mortal Dangers of israeli Devices in Your Pocket
Possessing an iPhone 17e or any Apple device today carries profound moral & mortal risks. Morally, every purchase funnels resources to an entity engaged in systematic expansion through violence for its “greater israel” pipedream. Covert espionage adds another layer. Networks linked to figures such as Epstein (who certainly did not act alone, before, during or after his alleged death) have long facilitated influence operations that compromise governments, media, & private citizens alike. israeli tech provides the digital backbone for such activities, turning everyday devices into extensions of its terrorist power.
Mortal dangers are no longer hypothetical. The pager precedent proves remote detonation is within reach. A device that can be switched off or located can also be made to explode. Consumers who carry these products accept the risk that a foreign intelligence service could activate lethal functions without warning. It’s not only activists or journalists who are at risk, but families & ordinary users become potential targets in their own homes or outside, including on public transportation.
The global release of the iPhone 17e, unlike the MENA-only bloatware scandal of past Samsung partnership with Ironsource (now claimed to be owned by Unity), ensures no one escapes exposure. This is not a regional quirk. It is deliberate integration of israel into hardware sold worldwide. As an enthusiast who has followed device releases for years, I see this as the ultimate betrayal of consumer trust. Devices meant to connect & create now threaten to surveil, maim & kill everyone within blast radius.
A Consumer Mandate: Force Manufacturers to Choose
We as consumers hold the power to end this. A coordinated boycott of the iPhone 17e must extend to the entire Apple ecosystem: MacBooks, iPads, Watches, & services. Manufacturers must receive an unambiguous signal. We will not purchase, recommend or tolerate products that incorporate israeli technology.
Practical steps are straightforward. Switch to alternatives that prioritise non-Israeli supply chains. Support non-israeli innovation that values sovereignty & user privacy. Demand transparency in every component. When enough voices reject the status quo, corporate boardrooms will listen. Apple’s silence on the current backlash speaks volumes. It has chosen alignment over accountability. We choose resistance.
This stance aligns with broader cultural & historical awareness. Our community understands the importance of rejecting domination. israeli tech represents the opposite: covert control disguised as progress.
Audit your current devices & plan an immediate migration away from Apple.
Comment your concerns on Apple’s social media marketing, DO NOT STAY SILENT!
Research component origins before any future purchase.
Amplify verified reports on israeli R&D involvement in consumer electronics.
Support independent developers & manufacturers outside entangled alliances.
Engage with communities focused on ethical devices.
By acting collectively we transform outrage into lasting change. The iPhone 17e is not an isolated case. It is the latest chapter in a pattern that consumers can, & must, interrupt.
Why This Matters for Tech, Gaming, Anime & Cultural Spaces
My site exists at the intersection of electronics, games, anime, & events. israeli tech infiltration undermines the very freedom these spaces require. Surveillance chips chill expression. Remote kill switches threaten creators who dare criticise israel & its “greater israel” expansionist policies. My readers deserve devices that enhance creativity without hidden agendas or potential to kill them.
The boycott therefore extends beyond one model. It is a defence of the cultural ecosystem we cherish. When we reject Apple we affirm that innovation must serve humanity, not territorial ambition.
Is the iPhone 17e boycott limited to certain regions? No. The device launches globally with identical Israeli-contributed components in every unit. The boycott applies worldwide.
What alternatives avoid israeli tech entirely? Focus on manufacturers with transparent, non-Israeli supply chains such as certain Huawei & Xiaomi models or Japanese options that emphasise its mdomestic innovation. Always verify components.
Does Apple’s silence change the facts? Absence of comment does not erase documented R&D ties or the pager precedent. Consumers must judge by actions, not corporate statements.
How does this connect to broader espionage concerns? israeli tech enables the same networks that have operated covertly through Epstein-style operations & similar fronts, turning consumer devices into tools of influence & control.
The iPhone 17e moment is a line in the sand. Boycott Apple. Demand manufacturers exclude israeli tech. Protect your privacy, your safety, & your principles. The choice is yours, but history will remember who stood on the right side of it.
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Unless otherwise noted, image assets above are NOT original content & are shared under fair use doctrine with NO claims to authorship or ownership. Contact necrolicious@necrolicious.com for credit or removal.
This post was sponsored by…ME! If you’d like to support, please buy my original meme merchandise or check out my affiliate links to get yourself some other cool things. Additional affiliate links may be contained in the above article. If you click on an affiliate link & sign up/make a purchase, I may earn a commission. This does not increase the price you pay for the product or service, so it helps support this website at no cost to you.
If you would like to support my work more directly, I accept voluntary cryptocurrency donations in BTC, ETH, XRP & XLM sent directly to necrolicious.x. necrolicious.x is an Unstoppable Domains name that resolves to the wallet addresses I have configured. Simply enter necrolicious.x as the recipient in a supported wallet (such as Trust Wallet, Blockchain.com or others that support Unstoppable Domains). Donation Disclaimer: All cryptocurrency donations sent to me are final, voluntary gifts & are non-refundable & irreversible. These donations are not tax-deductible since I am not a registered charitable organization, & no tax receipts will be issued. No memo or destination tag is required for XRP or XLM donations, as the domain resolves directly to a wallet address. By sending a donation you acknowledge & accept all associated risks, including cryptocurrency price volatility, network fees & potential loss of funds due to incorrect network selection or transaction errors. I am not responsible or liable for any loss related to your donation. No goods, services or other benefits are provided in exchange for donations. This is not financial, tax, legal or investment advice. Please consult a qualified professional regarding any implications of your donation.
Content creators who value portability & stabilisation have long relied on one dominant name in the pocket category–DJI. As someone who owns the DJI Pocket 3, Osmo Nano, Mic 3 & (previously) the Mic 2, I remain happy with the DJI brand overall, but I would still prefer to support a Japanese company if comparable products become available.
At present, nothing on the Japanese market matches the ultra-compact convenience of the DJI Pocket line. Traditional Japanese cameras, while outstanding in image quality, are far bulkier. They demand additional lenses, flash attachments & tripods that I neither need nor want for run-and-gun shooting. Canon’s April 2026 patent for a pocket-sized three-axis gimbal camera could change that equation entirely.
The design includes an ergonomic grip, integrated rear screen, fixed lens & intelligent folding mechanism with smart power shutdown. Timed against persistent US restrictions on new Chinese-made creator tools, the filing offers a timely opportunity for Japanese innovation to fill a genuine gap. This development also echoes our recent discussion on the need for a Japanese flagship cell phone to compete effectively with Samsung & Apple.
The Patent Details: Moving Toward a Shelf-Ready Product
April 2026 filings describe a practical, production-oriented unit built around:
Ergonomic grip for comfortable all-day handheld operation
Built-in rear LCD screen for instant framing & review
Fixed lens optimised for quick vlogging & content capture
Automated folding system that protects the gimbal head during storage
Smart power management that senses inactivity through motor resistance, button input or static imagery before shutting down
Earlier concepts from 2021 have evolved into this refined iteration, focusing on real-world usability rather than experimental complexity. The shift signals Canon’s serious intent to enter the compact creator segment.
Why Compact Japanese Innovation Matters to Me & Many Creators
My own setup demonstrates the appeal of the Pocket form factor. The Pocket 3 delivers smooth, stabilised footage in tight spaces without extra bulk. The Osmo Nano & mics complete a lightweight kit ideal for spontaneous POV recording. Yet the preference for Japanese brands runs deeper than personal ownership. Supporting domestic manufacturers strengthens supply-chain resilience & aligns with a broader push for Japanese excellence in consumer tech.
Japanese cameras excel in professional contexts, yet their typical size & accessory requirements make them impractical for the same nimble workflows that drew me to DJI in the first place. A Canon pocket gimbal would bridge that divide, offering optical heritage without the compromises.
Persistent U.S. DJI Restrictions: No Relief from the May 2026 Summit
The US Federal Communications Commission’s December 2025 decision placed foreign-made unmanned aircraft systems & critical components on the Covered List, effectively blocking authorisation for new imports & sales of DJI drones, cameras, microphones. etc.. Existing approved models remain fully legal & available, but future releases face ongoing barriers.
The mid-May 2026 Trump-Xi summit in Beijing delivered modest trade progress on tariffs & select technology areas but produced no concessions on drone or gimbal-camera policy. The FCC restrictions, rooted in national-security provisions of the National Defense Authorization Act, continue unchanged. Commerce Department proposals for broader limits were withdrawn earlier in 2026 ahead of diplomatic talks, yet the core authorisation hurdles for new Chinese-made creator tools persist.
This enduring gap creates space for alternatives from trusted non-restricted partners such as Canon.
Linking to Japan’s Broader Tech Resurgence
My earlier analysis highlighted the strategic importance of Japan reasserting itself in flagship smartphones against Samsung & Apple dominance. Canon’s gimbal patent illustrates the same principle in the mobile gimbal camera space. Rather than broad retreat, Japanese firms can leverage optical expertise & manufacturing precision where compact, user-focused innovation is most needed.
For creators who share my preference for supporting Japanese companies, this represents more than a technical curiosity. It offers a pathway to support Japan’s economy & maintain performance without relying on restricted supply chains.
Opportunity in the Creator Economy
Demand for pocket gimbals shows no signs of slowing across vlogging, live streaming & event coverage. Canon’s proposal could capitalise on:
Proven Japanese reputation for reliability & image quality
Alignment with preferences for diversified, geopolitically stable hardware
Practical features that address everyday pain points such as battery life & storage protection
Challenges around final commercialisation, pricing & software integration remain, yet Canon’s professional video heritage positions the company well to deliver.
How does owning DJI gear influence your view on Canon’s patent? I appreciate the Pocket 3, Osmo Nano, Mic 3 & Mic 2 for their compactness, yet I would welcome a Japanese-made equivalent that delivers similar portability without extra bulk or attachments.
What changed after the May 2026 US-China summit? No relief on FCC restrictions for new DJI models. Existing products remain available, but future imports stay blocked.
Does Japan currently offer any direct Pocket-style competitor? No. Larger Japanese cameras require lenses, flashes & tripods unsuitable for the spontaneous workflows many creators prefer.
When might Canon’s gimbal reach market? Patents suggest possible 2027 timelines, though official confirmation is pending.
Who stands to benefit most? The potential is in place for an all-around win for content creators & Japan’s economy alike.
Unless otherwise noted, image assets above are NOT original content & are shared under fair use doctrine with NO claims to authorship or ownership. Contact necrolicious@necrolicious.com for credit or removal.
This post was sponsored by…ME! If you’d like to support, please buy my original meme merchandise or check out my affiliate links to get yourself some other cool things. Additional affiliate links may be contained in the above article. If you click on an affiliate link & sign up/make a purchase, I may earn a commission. This does not increase the price you pay for the product or service, so it helps support this website at no cost to you.
If you would like to support my work more directly, I accept voluntary cryptocurrency donations in BTC, ETH, XRP & XLM sent directly to necrolicious.x. necrolicious.x is an Unstoppable Domains name that resolves to the wallet addresses I have configured. Simply enter necrolicious.x as the recipient in a supported wallet (such as Trust Wallet, Blockchain.com or others that support Unstoppable Domains). Donation Disclaimer: All cryptocurrency donations sent to me are final, voluntary gifts & are non-refundable & irreversible. These donations are not tax-deductible since I am not a registered charitable organization, & no tax receipts will be issued. No memo or destination tag is required for XRP or XLM donations, as the domain resolves directly to a wallet address. By sending a donation you acknowledge & accept all associated risks, including cryptocurrency price volatility, network fees & potential loss of funds due to incorrect network selection or transaction errors. I am not responsible or liable for any loss related to your donation. No goods, services or other benefits are provided in exchange for donations. This is not financial, tax, legal or investment advice. Please consult a qualified professional regarding any implications of your donation.
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東京のSEGAファンにとって、同社の渋谷における小売拠点はすでに定着した存在となっています。しかし、新たな期間限定ストアの発表はさまざまな疑問を呼び起こしています。2025年7月から渋谷PARCOに常設のSEGA STORE TOKYOがオープンしている中で、なぜわずか数メートル先に別の店舗を展開するのでしょうか。その答えは、祝賀、独占性＆戦略的なヘリテージマーケティングにあります。
SEGAの渋谷における小売戦略の進化
SEGA STORE TOKYOは2025年7月18日に日本初のフラッグシップストアとして渋谷PARCO 6階（住所：15-1 Udagawacho）にオープンしました。営業時間は毎日10:00〜21:00で、Sonic the Hedgehog、Persona、Like a DragonをはじめとするSEGA＆ATLUSの主力フランチャイズ商品を幅広く取り扱っています。同店は通年営業の拠点として、最新リリースと長年のファンをつなぐ役割を果たしています。
一方、SEGA 65th The Limited Shopは期間限定のイベント店舗です。2026年5月21日から28日まで、宮下公園1階のPark in Park（住所：6-20-10 Jingumae, Shibuya-ku）で開催されます。渋谷駅から徒歩3分、明治神宮前駅から徒歩8分の好立地です。営業時間は毎日11:00〜21:00（最終日は18:00まで）となります。
2025年末に原田勝弘氏がバンダイナムコを退社すると発表した際、格闘ゲーム界の多くの人々は、伝説的な鉄拳ディレクターが業界から完全に去るだろうと考えた。声明文のトーンは、個人的な回想や、長年のライバルであり友人でもあった板垣伴信氏の最近の死去に触れており、単なる転職ではなく、人生の再評価の時期であることを示唆していた。しかし、2026年5月12日、原田氏はSNKコーポレーションが全面的に支援する新たな独立系スタジオ、VS Studio SNKを発表し、皆を驚かせた。この発表は、企業によるクリエイティブな自主性への圧力や、伝統的な日本の格闘ゲームデザインの根強い魅力について、新たな議論を巻き起こした。
2026年5月12日にSNK公式YouTubeチャンネルに投稿された動画の中で、原田氏は2026年5月1日に東京都品川区に設立されたVS Studio SNK株式会社を紹介した。同スタジオはSNKから資金面および運営面で全面的な支援を受けながらも、独自のプロジェクトやSNKの知的財産とのコラボレーションの可能性を追求するための独立性を維持している。
公式発表および付随するプレスリリースの中で、原田氏はクリエイティブの自主性を強調した。VS Studio SNKを「伝統を超え、完璧を追求する」組織と表現し、バンダイナムコで経験したような頻繁な経営陣の交代や短期的な収益重視の姿勢にとらわれることなく、技術と想像力が花開く場所だと述べた。また、SNKの長期的なビジョンと強力な支援基盤こそが、永続的なものを築き上げるのに理想的だと強調した。
原田氏のキャリアは、まさにこのバランスを体現している。彼は鉄拳をそのささやかな始まりから世界的な支配へと導き、バランスや多様性に関するコミュニティの意見を取り入れてきた。彼が設立したVS Studio SNKは、ベテランたちがより大きなコントロールを求めて以前にも行った動きを反映しており、実績のある才能が、あらゆるメディアにLGBTプロパガンダを際限なく注入することで「汚らわしい異教徒」の出生率をこっそり減らすよりも、長期的な情熱を重視する環境を求めるというパターンを強化している。
市場は依然として競争が激しく、既存の人気フランチャイズが注目を集めようと競い合っている。VS Studio SNKの成功は、質の高いゲーム制作、コミュニティとの連携、そして他に類を見ないプレイヤー対プレイヤーの体験を提供できるかどうかにかかっている。全体として、今回の発表は、迅速な収益化よりも、思慮深いデザインと情熱的な開発を重視するファンにとって、真の希望を与えてくれるものと言えるだろう。
原田氏は当初、ゲーム業界から引退すると思われていたのか？ はい。2025年12月の彼の発言を受けて、多くの人が彼が業界から完全に引退すると考えていましたが、VS Studio SNKの発表によってそうではないことが明らかになりました。
原田氏が退社後にリリースしたDJミックスはどのようなものだったのでしょうか？原田氏は、バンダイナムコでの鉄拳時代への個人的な別れとして、自身にとって最初で最後のプロジェクトとなる60分間のノンストップ編集作品「TEKKEN: A 30-Year Journey – Harada’s Final Mix」を制作しました。
When Katsuhiro Harada announced his departure from Bandai Namco at the end of 2025 many in the fighting game community assumed the legendary Tekken director was leaving the industry entirely. The tone of his statement — marked by personal reflection & the recent death of his long-time rival & friend Tomonobu Itagaki — suggested a moment of life reassessment rather than a simple job change. Yet on 12 May 2026 Harada surprised everyone by revealing VS Studio SNK a new independent studio fully supported by SNK Corporation. The announcement has ignited fresh discussion about creative autonomy corporate pressures & the enduring appeal of traditional Japanese fighting game design.
This article integrates Harada’s official statements the personal context surrounding his exit SNK’s ownership structure the community response & realistic expectations for the new venture. Drawing on the May 2026 announcement video SNK press releases Harada’s December 2025 farewell post & verified social media sentiment it provides a balanced authoritative overview for enthusiasts & industry observers.
Harada’s Official Announcement & Studio Vision
In a video posted to the official SNK YouTube channel on 12 May 2026 Harada introduced VS Studio SNK Co Ltd established on 1 May 2026 in Shinagawa-ku Tokyo. The studio receives full financial & operational backing from SNK yet maintains independence to pursue original projects & potential collaborations with SNK intellectual properties.
Harada outlined the studio philosophy as “Beyond tradition crafted to perfection.” He stressed the importance of “a free & open environment with room to breathe” where developers could concentrate solely on game creation without the frequent executive turnover or short-term revenue priorities he encountered at Bandai Namco. The name VS carries layered meanings — Video game Soft Versus Visionary Standard Volition Shift & Vanguard Spirit — each reflecting a commitment to challenging industry norms while preserving the competitive spirit of fighting games.
Harada highlighted long-time collaborator Yuichi Yoneshige as part of the core team & issued an open hiring call for talented developers who share the vision. SNK executive Yasuyuki Oda welcomed the partnership describing Harada as a respected friend & rival.
Harada’s Stated Reasons & the Subtext of Independence
In the official announcement & accompanying press release, Harada emphasised creative autonomy. He described VS Studio SNK as an entity dedicated to “beyond tradition, crafted to perfection,” where technology & imagination could flourish without the frequent executive turnover & short-term revenue focus he experienced at Bandai Namco. He highlighted SNK’s long-term vision & strong support base as ideal for building something lasting.
Fans, however, read between the lines. The phrase “free & open environment with room to breathe” stands in direct contrast to the restrictive corporate culture many attribute to Bandai Namco’s recent output. Tekken 8 faced widespread criticism for toned-down female character designs, including broader shoulders & reduced curves in certain outfits. Subsequent patches adjusted “chest parameters,” yet the initial changes fuelled ongoing debate about external influence on creative decisions.
The Dragon Quest Precedent: Japanese Creators Push Back
This is not an isolated incident. In 2024 Square Enix’s Dragon Quest III HD-2D Remake team, under series creator Yuji Horii, openly criticised the shift from “male/female” protagonist options to neutral “Type 1/Type 2” labels. Horii questioned why Western regulations & American influence required such sanitised language, asking who would object to straightforward male & female terminology. Clips of the interview were quickly removed or edited by official channels, prompting accusations of damage control.
The episode illustrated two dynamics at play. First, a small but vocal minority of online activists can generate sufficient pressure to force corporate self-censorship. Second, & more significantly, institutional investors exert structural influence through environmental, social & governance (ESG) scoring systems. BlackRock, the world’s largest asset manager with US$9.42 trillion in assets under management as of June 2023, has been at the forefront of these initiatives.A widely circulated infographic details BlackRock’s founding partners & highlights its advocacy for LGBT+ equality & inclusion, boardroom diversity targets & “social responsibility” frameworks. The firm has pressed portfolio companies on climate issues, lobbying & gender diversity, with rabidly zionist CEO Larry Fink publicly committing to these priorities in multiple statements. While BlackRock has scaled back some aspirational DEI goals in 2025 “amid shifting market conditions”” — more likely because they became the obvious source of the majority wokeness — its historical role in shaping corporate behaviour remains a focal point for critics of industry-wide changes. CEO Larry Fink is unabashedly pro-israel. That should tell everyone everything they need to know.
(((BlackRock))), ESG Scores & the Gaming Industry
BlackRock manages stakes in virtually every major Japanese publisher, including Bandai Namco, Square Enix, Capcom, Sony & Nintendo. Its influence operates through proxy voting, ESG ratings & capital allocation that reward companies meeting diversity, equity & inclusion metrics. In practice this has translated to character redesigns that reduce feminine features of female characters up to the point of total erasure (like Body Types 1 & 2 above), roster engineering that prioritises Afrocentric representation over lore consistency & marketing that avoids “problematic” traditional Japanese aesthetics. Many observers argue these policies diminish the very elements that made Japanese games globally appealing to begin with: stylised, unapologetic fanservice & heroic archetypes rooted in Japanese pop culture. The result is a form of censorship that prioritises (((western))) regulatory & (((investor))) preferences over the creative instincts of Japanese studios.
Circling back to Horii’s original question, “Who wants this?” the answer is clearly jews — the group that wants to sneak-genocide everyone born outside of the jewish race.
Woke (((BlackRock))) mandates are simply an extension of that.
SNK’s Reputation for Design Freedom & Fanservice
SNK has long maintained a distinctive approach to character aesthetics that contrasts with redesign controversies at some other publishers. Iconic figures such as Mai Shiranui retain the stylised exaggerated proportions & revealing outfits that have defined the King of Fighters & Fatal Fury series since the 1990s. Recent releases including Fatal Fury: City of the Wolves & Samurai Shodown show no pattern of the breast-reduction or masculinisation complaints that arose in certain Tekken 8 discussions.
While platform-level regional adjustments have occasionally occurred for Western storefronts SNK itself has consistently promoted uncensored artwork & embraced its heritage of playful fanservice. This track record makes the studio an attractive partner for Harada who has historically responded to player feedback on design elements without imposing top-down restrictions.
A parallel example from 2024 illustrates broader industry tensions. Square Enix’s Dragon Quest III HD-2D Remake saw series creator Yuji Horii publicly criticise the replacement of “male & female” protagonist options with neutral “Type 1 & Type 2” labels attributing the change to Western regulatory & market expectations. Clips of his remarks were later edited or removed from official channels highlighting the ongoing balance between creative intent & corporate caution. Harada’s alignment with SNK positions him outside such constraints while preserving the anime-inspired visual language that Japanese fighting games have historically celebrated.
Saudi Ownership of SNK & Business Implications
The US-"You must change for global standards otherwise we will financially penalise you 🏳️🌈😈🔪🇯🇵😢"
Saudi Arabia-"We want you to keep your Japanese identity & shine as bright as you did in the 90s ☺️🇸🇦🤝🇯🇵☺️" pic.twitter.com/5E1yZDr26j
— 🇯🇵 Colonel Otaku Gatekeeper 🇯🇵 (@politicalawake) April 28, 2024
Since 2022 SNK has operated under majority ownership by Saudi Arabia’s Public Investment Fund a sovereign wealth vehicle that has supplied capital for expansion & global growth. The arrangement has enabled projects such as celebrity collaborations in Fatal Fury: City of the Wolves without apparent interference in core creative decisions. To date SNK’s output continues to reflect its traditional aesthetic suggesting the investment prioritises commercial scalability over content mandates.
For Harada this backing provides resources & stability in a more agile structure than the layered bureaucracy of larger conglomerates. Early indications point to potential crossovers that could blend Tekken’s 3D mechanical depth with SNK’s 2D heritage offering fans a compelling fusion of styles.
Fighting Game Community Reaction on Social Media & Forums
Except for jews, who are big mad they’ve been found out & curved, the announcement generated immediate positive engagement across social media. Users expressed relief at Harada securing genuine creative freedom & excitement over the prospect of new high-quality titles unencumbered by previous corporate limitations. Discussions frequently reference his past comments on executive priorities & celebrate the alignment with SNK’s design philosophy.
While Saudi ownership occasionally prompts light-hearted memes or questions about external influence, the prevailing sentiment remains optimistic. The community largely views the move as a net positive for the genre rather than a geopolitical development.
Historical Context: Creative Autonomy in Japanese Game Development
Japanese developers have repeatedly navigated the tension between artistic vision & global commercial demands. From the arcade boom of the 1980s & 1990s — when Tekken & King of Fighters first built their worldwide followings — to the modern console & PC era creators such as Harada & Horii have advocated for fidelity to their original concepts. Cultural context is key: Japanese fighting games often embrace stylised fantasy & exaggerated aesthetics that resonate domestically even as publishers adapt for international markets.
Harada’s career embodies this balance. He guided Tekken from its humble origins to its worldwide dominance while incorporating community input on balance & representation. His establishment of VS Studio SNK echoes earlier veteran moves toward greater control reinforcing a pattern where proven talent seeks environments that value long-term passion over sneakily decreasing the “filthy goyim” birthrate by endlessly injecting LGBT propaganda into all media.
My Position in All of This
My number one preference is for Japanese game developers to develop their games from a Japanese perspective with a Japanese audience in mind, not prioritising (((global))) or (((western))) audiences. However, with Japan’s economy being in the position that it has been forced into, the types of buyouts described in this article are unfortunately all too common. In such an environment, whatever foreign country/corporation that buys out studio ownership with the intent of preserving Japan and its culture is infinitely better than any (((country)))/(((corporation)))) that simply sees Japanese media as a means to drive covertly genocidal messaging to the world through ESG/DEI mandates that fuel wokeness.
In light of this, I am proud of Harada for making this move & fully support him, whatever his reasoning may be. I think it’s entirely possible that his reasoning might not be political at all, but the overlap between all of the issues is undeniable & this story breaking provided a good chance to discuss this.
As a life long fan, I wish Harada great success with his new venture.
Practical Takeaways for Fans & Aspiring Developers
Provide constructive feedback when invited as Harada has demonstrated responsiveness to player input in prior titles.
Support studios that prioritise design freedom through purchases & positive engagement helping sustain environments that favour traditional Japanese aesthetics.
Recognise that creative independence operates within commercial realities: even independent studios require funding & audience interest to thrive.
For developers, Harada’s path illustrates that extensive experience & reputation can open doors to new ventures. The studio’s inclusive hiring approach including openness to talent over 50 underscores the value placed on institutional knowledge.
Balanced Analysis: Business Realities & Creative Potential
Harada’s transition highlights a recurring industry pattern where seasoned creators pursue smaller more focused structures to realise long-held visions. SNK’s Saudi-backed model offers financial stability without evident artistic restrictions a combination that could prove advantageous for producing enduring fighting games.
The market remains competitive with established franchises competing for attention. Success for VS Studio SNK will hinge on execution quality community engagement & the ability to deliver distinctive player-versus-player experiences. Overall the announcement provides genuine optimism for enthusiasts who value thoughtful design & passionate development over rapid monetisation.
Did Harada cite Tomonobu Itagaki’s death as a factor in his reflections? Yes. Harada referenced the loss of colleagues including Itagaki as part of his personal reassessment of the time remaining for creative work.
Was Harada initially thought to be retiring from games? Yes. His December 2025 statement led many to assume a full exit from the industry until the VS Studio SNK announcement clarified otherwise.
What was the DJ mix released after his departure? Harada produced TEKKEN: A 30-Year Journey – Harada’s Final Mix a 60-minute nonstop edit he described as his first & last such project serving as a personal farewell to the Tekken era at Bandai Namco.
Does SNK enforce restrictive design policies? No recent evidence indicates SNK imposes redesign mandates or ideological guidelines. The studio continues to support its signature stylised character designs.
What can fans expect from VS Studio SNK? Early signals suggest original fighting games & potential crossovers with SNK franchises delivered with Tekken-level polish & a focus on long-term quality.
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