DJI has officially teased the launch of its next-generation pocket gimbal camera with the Osmo Pocket 4 set to debut on April 16, 2026 at 12:00 PM GMT. The announcement highlights the compact device’s ability to capture “the world in my pocket” & builds anticipation among content creators & videographers worldwide.
A Brief History of the Osmo Pocket Series
Since its debut, the Osmo Pocket line has become a favourite among travellers, vloggers & filmmakers seeking professional stabilisation in an ultra-portable form. The Osmo Pocket 3 introduced significant upgrades in image quality battery life & creative features which helped solidify DJI’s position in the pocket-sized camera market. With the Osmo Pocket 4, DJI appears ready to refine the formula further, focusing on even greater accessibility for capturing high-quality footage on the go.
While full specifications remain under wraps ahead of the official event, early indications from the teaser suggest continued emphasis on intuitive design & cinematic results. The device is expected to appeal to both amateur enthusiasts & professional creators who require reliable performance without bulky equipment.
The global launch marks an important milestone as DJI expands availability simultaneously across regions. Interested parties can learn more via the official teaser page at dji.com & should monitor DJI’s channels for pre-order information pricing & complete feature details once revealed.
For those who have followed the series the timing feels particularly timely coming nearly two years after the previous model. The Osmo Pocket 4 promises to deliver the signature three-axis stabilisation that has defined the range alongside potential improvements in low-light performance & creative tools.
Content creators & photography enthusiasts alike will no doubt mark the date as DJI continues to push the boundaries of what a pocket-sized camera can achieve. The Osmo Pocket 4 represents the latest evolution in portable cinematic technology & early reactions suggest strong interest across the community.
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Castlevania at Its Peak: Why Japanese Hands Capture the Series’ Essence Better Than Western Stylised Experiments
The recent Triple-i Initiative trailer for Castlevania: Belmont’s Curse has left many longtime fans disappointed. Discussions across social media highlight concerns not only with the lack of a protagonist reveal or firm release date but also with the game’s art style. For some observers the visuals represent a return to the asymmetrical overly stylised character designs that emerged in Western animation during the early 2000s. This shift marked a deliberate move away from the more consistent proportions seen throughout the 1990s in favour of bold graphic exaggeration executed through modern digital pipelines such as Toon Boom.
That early-2000s aesthetic often referred to as Wacky Pomo prioritised personality-driven shapes thick outlines & fluid yet off-kilter forms over anatomical accuracy or symmetry. Shows such as Cyberchase & The Batman (2004–2008) exemplify the trend. The result felt fresh & production-efficient at the time, but struck many viewers as a departure from the tighter draftsmanship of prior decades.
This same DNA appears in the Belmont’s Curse footage. Brighter colour palettes thicker digital lines & pushed proportions on enemies & environments echo the Wacky Pomo influence filtered through contemporary 2D rigging tools. The trailer’s Paris setting retains gothic Castlevania elements yet renders them with the cartoon-forward polish that defined much of the post-1990s shift toward vector-friendly animation. Fans who preferred the series’ classic hand-drawn roots or its later high-contrast interpretations found the look overly familiar in the wrong way.
A useful point of comparison is Castlevania: Mirror of Fate from 2013. Developed by MercurySteam for the Nintendo 3DS the game employed a 2.5D hand-painted style with cel-shaded cutscenes parallax scrolling & dramatic gothic lighting. Character designs for Trevor Simon & Alucard featured stylised proportions & expressive silhouettes yet remained relatively grounded. The asymmetry served mood & atmosphere rather than chaotic cartoon energy. While it shared some digital stylisation with the current trailer Mirror of Fate kept the exaggeration in check making it a milder bridge between traditional Castlevania visuals & modern techniques.
The broader conversation reveals a recurring pattern in the franchise. Western-led projects such as Castlevania: Lords of Shadow (2010) were initially viewed as their own distinct entity. MercurySteam’s dark action-adventure reimagining delivered a European story through a cinematic lens complete with orchestral scoring & realistic character models. Yet many enthusiasts argue that the series reaches its creative height when filtered through Japanese sensibilities. Konami’s original entries & Koji Igarashi’s Igavania titles blended gothic horror with intricate level design & fluid 2D action in ways that felt inherently suited to the material. Even when the narrative draws on European folklore the Japanese perspective adds a layer of mythic elegance & precise craftsmanship that elevates the experience.
This preference is not a rejection of Western talent but a recognition of what has consistently worked. The asymmetrical stylised approach that proliferated in early-2000s animation & later influenced games has its strengths in accessibility & visual pop. Nevertheless for a property rooted in classic side-scrolling horror & baroque architecture the Japanese lens continues to deliver the most cohesive & resonant results. As development on Castlevania: Belmont’s Curse progresses fans will watch closely to see whether the final product leans further into that digital cartoon heritage or finds a way to honour the proportions & atmosphere that defined the series at its peak. Personally, I will be placing my own hopes on Koji Igarashi’s next Bloodstained installment instead.
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Vampire Cafe in Ginza reaches a notable milestone in 2026 as it marks 25 years since its opening in 2001. The iconic Tokyo restaurant has long stood as a pioneer in immersive dining experiences, drawing visitors into a world of gothic elegance & theatrical presentation.
Anniversary Celebration Runs from April to June 2026
To commemorate this quarter-century anniversary, Vampire Cafe will host a special celebration until 30 June 2026. During this period, the restaurant presents two exclusive banquet courses along with a commemorative signature cocktail. The master of the house, Count Rose also known as VAMPIRE ROSE, will make personal appearances to greet guests throughout the celebration.
25th Anniversary Blood Cocktail
Every anniversary course begins with a toast using the 25th Anniversary Blood, an original cocktail priced at 1,300 yen (tax included). Available in both alcoholic & non-alcoholic versions, the striking ruby-hued drink features blood orange notes or red wine, elegantly garnished with floating rose petals.
Premium 25th Anniversary Banquet Course – 8,000 yen
For a more luxurious experience, guests can select the VAMPIRE CAFE 25th Anniversary Premium Banquet Course at 8,000 yen (tax included). This eight-course menu includes:
The rose chalice passed down through the family – shrimp & scallop marinated in gazpacho-style sauce
Resurrection ritual to awaken the creature of darkness – salad of prosciutto & avocado with raspberry dressing
A single rose offered to the attendees – frit mist
The monster’s hand creeping on the neck – mushroom cream risotto with truffle & pecorino cheese aroma
The proud rose flower blooming in the banquet – seabream sauté with basil sauce
The vampire’s kiss dyed in blood – tomato granite
The undying body burning in the flames of destruction – wagyu steak with Chateaubriand sauce topped with sea urchin
The evil cross standing over the corpses of the victims – profiteroles
25th Anniversary Banquet Course – 5,000 yen
A more accessible option is available with the VAMPIRE CAFE 25th Anniversary Banquet Course priced at 5,000 yen (tax included). This menu features:
Invitation to the banquet from the Count – homemade focaccia with cassis cream cheese
Resurrection ritual to awaken the creature of darkness – salad of prosciutto & avocado with raspberry dressing
A funeral rose offered to the sacrifice – fish & chips
The Count’s coffin with roses dancing – truffle-scented carbonara
The tragic fire execution judging the rebel – herb & spice chicken
The deep red rose blooming in the banquet – mini whole cake with chocolate mousse cake & raspberry rose jelly
Count Rose & Rose Day 2026
Throughout the anniversary period, guests will have the opportunity to meet Count Rose, the charismatic master of Vampire Cafe. This celebration also coincides with his band Vampire Rose’ super concert, “Rose Day 2026” on 2 June at SHIBUYA REX. Tickets to Rose Day can be bought from Count Rose at Vampire Cafe on nights he is there or online at eplus. Last year’s Rose Day sold out, so it is highly recommended to buy in advance as door tickets will likely be unavailable.
Why Visit Vampire Cafe Ginza in 2026
The 25th anniversary programme offers visitors a rare chance to experience one of Tokyo’s most enduring entertainment restaurants at a special moment in its history. The combination of theatrical presentation, high-quality cuisine & distinctive gothic atmosphere makes Vampire Cafe particularly appealing for those seeking a memorable dining experience beyond conventional options.
Reservations are strongly recommended during the celebration period due to high demand.
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For a company as big as DJI & a camera as prestigious as the Osmo Nano, there is surprisingly little information available when searching for answers to the question “Can the DJI Nano shoot open gate?”. The short answer is yes, & the Osmo Nano does so with impressive results through its full-sensor 4K 4:3 recording capability. If you are not familiar with open gate, it is the most versatile format that anyone can shoot in. The key advantage of shooting open gate is the versatility it offers when editing as it gives you a much wider field from which to choose when downsizing your video to meet ratio limitations enforced by social media platforms. If you are having trouble understanding this simply recognise most devices especially phone cameras force you to choose between 9:16 ratio, 16:9 ratio or 1:1 square ratio. With open gate rather than locking yourself to a dedicated frame you utilise your camera’s entire sensor. You get the entire width of 16:9 & the entire height of 9:16. This full-sensor approach opens up creative possibilities that feel liberating once experienced, transforming a single take into multiple polished deliverables ready for any platform.
Open gate shooting refers to capturing video using the full readout of the camera’s sensor without applying any in-camera crop. On the DJI Osmo Nano this is achieved through its 1/1.3-inch CMOS sensor which records in native 4:3 resolution at up to 4K. The result is footage that preserves maximum pixel information across both the horizontal & vertical axes. Unlike traditional locked aspect ratios that discard sensor data at the point of capture open gate defers all framing decisions to post-production. This approach mirrors professional cinema workflows where the full negative or digital sensor is exposed first & then cropped or reframed as needed. For the Osmo Nano the open gate mode effectively combines the benefits of a wide horizontal field with an extended vertical canvas allowing creators to extract multiple deliverables from a single take without quality loss. It is this flexibility that makes open gate particularly exciting for creators who value efficiency & creative control in fast-paced or unpredictable shooting environments.
Open Gate Use Cases for Content Creators
The practical applications of open gate on the DJI Osmo Nano extend across diverse shooting scenarios where flexibility is paramount. Walk-and-talk vloggers & run-and-gun filmmakers benefit from the ability to capture dynamic movement without committing to a specific orientation upfront. Action & POV filming benefit immensely because the camera’s magnetic mounting system & compact form factor encourage spontaneous angles, yet open gate ensures footage can later be reframed for any orientation. Travel vloggers & documentary makers use it to capture immersive wide scenes that can be repurposed into both landscape hero shots & portrait social clips. In automotive or product cinematography, including reviews & unboxings, a single pass records full-resolution horizontal & vertical versions simultaneously, eliminating the need for multiple setups or retakes. Even for corporate or event videography where deliverables must serve both widescreen presentations & vertical social stories, open gate streamlines workflow & reduces storage demands. The DJI Osmo Nano’s RockSteady stabilisation pairs naturally with this format ensuring that reframed extracts remain smooth & professional regardless of the final ratio chosen in editing software.
The 4:3 Ratio in Open Gate Workflow
The 4:3 ratio serves as the foundation for open gate shooting on the DJI Osmo Nano because it closely matches the sensor’s native proportions. At 4K resolution this translates to 3840 by 2880 pixels, providing a balanced canvas (wider than it is tall). When shooting in 4:3 open gate you retain the full horizontal width required for cinematic landscape shots while gaining extra vertical pixels that can be used for cropping. In post-production editors simply mask or crop the top & bottom to produce a clean 16:9 frame or retain more of the height for vertical compositions. This ratio maximises creative freedom without compromising resolution & it future-proofs footage against evolving platform requirements. For users of the Osmo Nano selecting 4:3 in the camera’s video settings unlocks the true potential of the sensor & transforms a single recording into a multi-format asset ready for any distribution channel.
The 3:4 Ratio & Its Role in Vertical Content
While 4:3 is the horizontal open gate baseline the 3:4 ratio represents its vertical counterpart & proves equally valuable for portrait-oriented deliverables. Essentially a 90-degree rotation of 4:3 (taller than it is wide), the 3:4 frame utilises the sensor’s full height while narrowing the width to create a taller composition ideal for certain social formats. On the DJI Osmo Nano open gate footage shot in 4:3 can be rotated & cropped in editing to achieve a native 3:4 output at high resolution. This is particularly useful for platforms that favour slightly less extreme vertical framing than 9:16 or for hybrid projects that mix landscape & portrait elements within the same timeline. Creators working on Instagram carousels, YouTube community posts or legacy broadcast formats appreciate 3:4 because it offers a more classical proportion than ultra-tall 9:16 yet still delivers the pixel density needed for sharp downscaling. The ability to extract 3:4 from open gate footage eliminates guesswork at capture time & ensures consistent quality across mixed-media campaigns.
Social Media Ratio Standards & Optimisation for X
Social media platforms enforce specific aspect ratios for optimal display & performance & open gate shooting on the DJI Osmo Nano provides the most efficient way to satisfy them all from one master file. Horizontal 16:9 remains the standard for YouTube long-form & traditional video ads while vertical 9:16 dominates TikTok, Instagram Reels & YouTube Shorts. Square 1:1 continues to perform well for certain Instagram & Facebook posts. The 3:4 ratio fits niche applications such as Pinterest or older mobile feeds. X, formerly Twitter has evolved its video standards to support a wide range of ratios but performs best with 16:9 for desktop viewing, 9:16 for mobile-first scrolling & 1:1 for quick engagement. X recommends uploading at 1920 by 1080 for horizontal or 1080 by 1920 for vertical to avoid compression artefacts & it automatically detects & displays the correct orientation. Because open gate on the Osmo Nano captures surplus pixels in both dimensions, creators can export platform-specific versions without re-shooting or losing detail. Notably the 3:4 extracts from open gate footage deliver videos that are taller than wide while avoiding the pronounced shrinking effect often seen with 9:16 content. In the latest X mobile feed these proportions create a more balanced & visually appealing presence that fills the screen elegantly without feeling overly constrained. This single-source workflow saves time, reduces editing overhead & ensures maximum reach across X & competing networks where vertical video now drives the majority of impressions.
How to Access & Use Open Gate Mode on the DJI Osmo Nano
Now that you have read all about open gate you are probably eager to try it yourself. The process is straightforward but if you have already updated to the latest DJI Nano firmware this unfortunately may have complicated matters slightly. What came with the latest firmware update was a ratio lock. This lock means that you no longer have to rely solely on camera orientation in order to film in 9:16 or 16:9 & can instead move the camera body as freely as you wish without having to worry about output orientation. However, if you utilise 9:16 or 16:9 locked orientation modes you will not see any open gate option. This might prompt you to think “Is my model too old to include open gate?” or “Did DJI remove this feature?” The answer is neither. You can still access open gate but what you must first do is go back to the orientation menu where you pick 16:9 or 9:16 & instead pick the very first option of “Automatic.” Only then will you be able to see the 3:4 open gate option for 1080p, 2.7K & 4K. In case it was not abundantly clear, being in automatic mode means that you are absolutely not frame locked & must position the camera body yourself if you wish to have 4:3 or 3:4 orientation. While it is a little unfortunate that it has become somewhat more difficult to find open gate, rest assured that it is there. Perhaps in a future firmware update DJI will add it to the ratio lock alongside the 9:16 & 16:9 to make it just a little bit easier for everyone to find.
To access open gate mode follow these steps:
Open the orientation menu in the camera settings.
Select Automatic instead of the locked 9:16 or 16:9 modes.
The 3:4 open gate option will now appear for 1080p, 2.7K. & 4K.
By leveraging the DJI Osmo Nano’s open gate capability, content creators gain unprecedented control over final framing & distribution. The camera’s full-sensor approach combined with its portable design & robust stabilisation positions it as a strategic tool for anyone producing video across multiple platforms.
The content of this article pertains specifically to the DJI Osmo Nano. Some readers may wonder “Does the world-famous DJI Pocket 3 also shoot in open gate?: Unfortunately, it does not, as of the time of this writing. However, the potential exists should DJI ever opt to include it in a future firmware update. In the meantime anyone that wishes to have the 4:3 or 3:4 open gate ratio can also export any video in this format using the DJI Mimo app. However, this is a little bit of a backward concept because the point of recording in open gate is to have a wider space to zoom in on specific details such as a particular filming subject being tracked. Therefore there is little point in this feature apart from nicely filling out the space allotted to videos in posts on the X feed.
Unless otherwise noted, image assets above are NOT original content & are shared under fair use doctrine with NO claims to authorship or ownership. Contact necrolicious@necrolicious.com for credit or removal.
This post was sponsored by…ME! If you’d like to support, please buy my original meme merchandise or check out my affiliate links to get yourself some other cool things. Additional affiliate links may be contained in the above article. If you click on an affiliate link & sign up/make a purchase, I may earn a commission. This does not increase the price you pay for the product or service, so it helps support this website at no cost to you.
As I warned everyone last year, & again in January, the tech winter caused by ChatGPT’s sam altman is making electronic devices of all sorts more expensive. We’re not simply discussing next generation consoles, but current generation consoles are affected, too. As evidenced by the fact that Sony has officially announced a worldwide PS5 price increase that will take effect on April 2, 2026. The adjustment covers the standard disc edition, Digital Edition, PS5 Pro & PlayStation Portal remote player. This marks the second notable rise in roughly a year & stems from sustained global economic pressures including higher costs for components such as RAM & memory chips.
The change applies across all major markets with updated recommended retail prices now confirmed for the United States, United Kingdom, Europe & Japan. Consumers in other territories should consult local retailers for exact details.
Get your PlayStation 5 now before prices rise on April 2nd:
Note that Japan’s separate cheaper language-locked Digital Edition model sold only domestically remains unaffected by this increase.
PlayStation Portal Also Affected Globally
The handheld remote player sees a corresponding rise in every region.
United States: $249.99 (previously $199.99)
United Kingdom: £219.99 (previously £179.99)
Europe: €249.99 (previously €199.99)
Japan: ¥39,980 (previously ¥34,980)
Nintendo Switch Price Hike Update
Nintendo has not set any date for a console price increase on the Switch or Switch 2 in the West or Japan. While the company has acknowledged ongoing monitoring of component costs & market conditions, its president has stated it cannot comment on hypotheticals at this stage. No hardware price change is currently scheduled, but you can still buy one now to be safe.
The only confirmed upcoming Nintendo pricing adjustment concerns first-party Switch 2 games rather than the console itself. Starting in May 2026 with pre-orders for titles such as Yoshi & the Mysterious Book new Nintendo-published digital titles exclusive to Switch 2 will carry a lower MSRP than their physical versions. Physical game prices are not increasing. This policy applies across all regions including the West & Japan.
Shoppers planning a PS5 purchase may wish to review current stock & pricing before April 2, 2026 to secure the existing rates where still available. For the latest official confirmation always refer to Sony’s PlayStation Blog or authorised retailers in your location.
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Unless otherwise noted, image assets above are NOT original content & are shared under fair use doctrine with NO claims to authorship or ownership. Contact necrolicious@necrolicious.com for credit or removal.
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