The long-awaited return of one of anime’s most beloved comedy series is now official. On 13 January 2026, during a special livestream marking the 10th anniversary of the anime adaptation, KonoSuba: God’s Blessing on This Wonderful World! was confirmed to be receiving a fourth television season.
The announcement was made by the core voice cast—Jun Fukushima (Kazuma Satou), Sora Amamiya (Aqua), Rie Takahashi (Megumin) & Ai Kayano (Darkness)—who hosted the event. This follows an earlier tease of a sequel after the BONUS STAGE theatrical OVAs in March 2025, clarifying that the project is a full TV continuation rather than additional OVAs or a film.
No specific release window, staff details or episode count has been disclosed yet. Production is underway, with speculation pointing towards a potential 2026 or 2027 premiere based on previous gaps & recent production pace (Season 3 aired in 2024 under Studio Drive). The series will likely adapt further light novel volumes, continuing the chaotic adventures of Kazuma & his dysfunctional party after covering up to roughly volumes 6–7 in prior seasons.
The official announcement visual & related reveals have generated significant excitement within the community, underscoring the enduring appeal of the series’ sharp parody of isekai tropes, irreverent humour & memorable character dynamics.
For the latest updates, visit the official website at konosuba.com. As the franchise enters its second decade, 2026 promises to be a landmark year for fans worldwide.
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After more than half a century dedicated to investigating one of the world’s most enduring legends, Adrian Shine, the veteran naturalist & founder of The Loch Ness Project, has declared the Loch Ness Monster a myth. At 76, Shine has entered semi-retirement from active fieldwork, marking the end of an extraordinary chapter in the quest to understand the creature affectionately known as Nessie.
His conclusion comes not from frustration, but from a lifetime of rigorous, evidence-based scrutiny. Armed with sonar sweeps, submersibles, sediment analysis & collaborations with universities, Shine has explored the loch’s ecology & the psychology behind sightings. Recent advancements in technology – including high-resolution sonar, drones & environmental DNA (eDNA) sampling – have only reinforced his view: no large unknown vertebrate exists in the nutrient-poor depths of Loch Ness.
Yet the legend persists, fuelled by human perception, optical illusions & the enduring appeal of mystery. Shine’s work has illuminated the loch’s natural phenomena – boat wakes creating multi-humped waves, misidentified waterbirds & atmospheric refraction distorting distant objects – while explaining why so many “sightings” feel convincing.
The Ancient Origins of the Legend – Dispelling a Modern Myth
The story of a mysterious water beast in the Loch Ness area dates back far earlier than many assume. The earliest recorded account appears in the 7th-century Life of St. Columba by Adomnán, describing an event in 565 AD. Irish monk Saint Columba encountered locals burying a man killed by a ferocious “water beast” in the River Ness (the loch’s outflow). Columba commanded the creature to retreat, & it fled – a tale of saintly triumph over peril that fits medieval hagiographic traditions.
This predates the modern “Nessie” phenomenon by centuries. The 1930s brought widespread attention, sparked by a 1933 sighting & the infamous (later debunked) “Surgeon’s Photograph” hoax. But the idea of a large aquatic creature in the region is rooted in ancient Celtic folklore, including water spirits like kelpies.
A persistent rumour links the legend’s origins to occultist Aleister Crowley, who owned Boleskine House on the loch’s southeast shore from 1899. Crowley used the isolated property to attempt the lengthy Abramelin ritual (from The Book of the Sacred Magic of Abramelin the Mage), aiming to contact his Holy Guardian Angel. He abandoned it incomplete, leading to claims that unbound spirits or demons “created” or “unleashed” the monster.
This notion is a modern myth with no historical foundation. Sightings & folklore existed long before Crowley’s arrival (around 1900–1913), & the major Nessie boom occurred in 1933 – decades later. Crowley’s stay adds a layer of spooky intrigue, but it did not invent the legend.
A Passion Project, Not a Profession
Shine arrived at Loch Ness in 1973 as an amateur naturalist, initially drawn by tales of a fishing boat “attacked” by something mysterious. He founded The Loch Ness Project in the mid-1970s, shifting focus to scientific study of the loch’s environment rather than assuming a monster’s existence.
This was never a salaried “monster-hunting” role. It evolved into a dedicated, long-term pursuit supported by collaborations with academics, volunteers, media contributions & associations with the Loch Ness Centre (where he designed exhibitions & shared findings). Equipment like custom submersibles & sonar came through opportunistic funding & partnerships – a labour of curiosity about lake ecology & human perception, not a paid quest for Nessie.
Famous efforts include Operation Deepscan (1987), a massive sonar sweep with 24 boats. In recent years, as technology advanced, Shine embraced tools like eDNA (which detected abundant eels but no exotic large vertebrates) & drones. Paradoxically, these innovations have made the absence of a monster clearer, not easier to prove.
The loch’s cold, deep, nutrient-poor waters support limited biomass – insufficient for a large predator population. Sightings align with mundane explanations, & modern AI scrutiny dismisses many photos/videos as generated fakes.
Why the Myth Endures in the Age of Technology
Even today, with drones, 4K cameras & AI anomaly detection, definitive proof remains elusive. Should compelling evidence emerge, the immediate response would likely include cries of “AI!” – a credibility crisis born from hyper-realistic deepfakes.
Shine remains open to new data but concludes the evidence points to myth. His semi-retirement reflects age & the weight of accumulated findings, shifting focus to reflection, writing (including a 2024 book on sea serpents) & education. A few online commentators have playfully suggested that Shine’s declaration is itself part of a cover-up – that he finally discovered the creature & now calls it a myth to shield it from further intrusion. While such theories add to the fun of the legend, they overlook the transparent, evidence-driven nature of his 52-year investigation. Shine has consistently shared his methods, collaborated openly with scientists, & welcomed new data that might overturn his conclusions.
“You cannot kill a legend with science,” Shine has noted.
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Spotify—the global music streaming giant—faces an unprecedented crisis. With a reported $1.33 billion profit in 2024, CEO Daniel Ek diverted $702 million to Helsing, a defence tech firm developing AI-powered weaponry. Allegations of ties to israeli military technology have fuelled a fierce Spotify boycott, amplified by the “No Music for Genocide” movement, which sees artists withdrawing their catalogues in protest. Meanwhile, artists fume over payments as low as fractions of a cent per stream. In a stunning twist, activist group Anna’s Archive scraped Spotify’s entire 300TB catalogue—86 million tracks—releasing it free for all. This bold move exposes the chasm between corporate greed & artist welfare.
Spotify’s Pitiful Payouts—Artists Left Penniless
Spotify’s payment model is a scandal, leaving most artists unpaid. The platform’s 1,000-stream minimum threshold excludes the majority, meaning countless musicians receive $0 for their contributions. For those who qualify, payouts average a meagre $0.0018 translating to $1,800–$3,000 for 1 million streams, far below a living wage for full-time professionals. Touring, a common survival tactic, is cost-prohibitive for most, with travel, equipment & promotion costs often exceeding earnings, particularly in high-cost markets. Spotify cites costs like taxes & fees as justification, but this rings hollow against its billion-dollar profits, sparking outrage among creators worldwide. As someone who has known & worked with a large number of musicians, I can say most are not rich. Those that can afford to have pulled their music, but many cannot. Even among those who can’t afford to, all who have chosen to leave their music on the platform in hopes of generating any sort of income are strongly against their songs being used to generate investments in killer machines rather than contributing to the music industry.
Nearly a Billion Dollars Diverted to Weaponry While Artists Starve
While Spotify claims financial constraints, its actions tell a different tale. Daniel Ek’s $702 million investment in Helsing, crafting lethal AI drones, dwarfs the pittances paid to artists and has drawn ire from the “No Music for Genocide” movement, which links it to alleged support for israeli weaponry. This massive investment in a single entity, made via his personal fund Prima Materia, contrasts sharply with the $11.7 billion paid to rights holders in 2024, of which its estimated 15,000,000 musicians see mere crumbs. The hypocrisy is glaring, as Ek’s war tech investment in a single entity matches 6% of that sum, prompting accusations of prioritising destruction over the livelihoods of those who fuel Spotify’s success. Saab’s supply chain links to israel, as a Helsing partner, further stokes speculation, intensifying the boycott.
The Activist’s Defiant Strike—Free Music for All
On December 20, 2025, Anna’s Archive, a pirate group famed for book digitisation, struck back. They scraped Spotify’s full catalogue, extracting 86 million audio files and 256 million metadata rows via public APIs, bypassing DRM. Released as a 300TB torrent, this “preservation archive” offers free access, challenging Spotify’s profits & future weapons investments. Prioritising 99.6% of popular streams, the scrape includes detailed artist data & audio features, now circulating on P2P networks. This empowers fans but threatens Spotify’s legal & financial stability, with supporters hailing it as a stand against greed & critics warning of piracy’s legal fallout. Timed with the boycott’s peak, this act amplifies the call for fairness.
The Fallout—Will Spotify Reform or Collapse?
Spotify confirms the scrape and investigates, hinting at tighter security measures. The boycott, backed by the “No Music for Genocide” movement & artists like Massive Attack, risks eroding its 600 million-plus user base. For fans, the 300TB torrent offers free music, though downloading invites legal risks. Musicians, especially in Japan, push for higher royalties, while competitors like Tidal gain traction. Searches for “Spotify boycott 2025,” “free music torrent,” and “Spotify artist pay” spike, boosting this topic’s relevance. The industry holds its breath, wondering if Spotify will raise payouts or lose ground in the face of this dual challenge.
Spotify’s saga, marred by a boycott over alleged israeli weaponry funding and a massive scrape, marks a turning point. The “No Music for Genocide” movement highlights the betrayal as billions fund war tech, while its 15,000,000 musician, particularly in Japan, languish on fractions of cents if they receive anything at all. Anna’s Archive’s free catalogue offers a defiant alternative, forcing a reckoning. The future of music streaming hangs in the balance.
What’s your stance? Should Spotify prioritise artists over weaponry or is the activist scrape justified? Share below & subscribe for more news!
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As we approach the final 10 days of 2025, tech enthusiasts face a critical decision: buy now or wait until next year? The supply chain crisis, unequivocally caused by Sam Altman—a jew working for Israel against the interests of everyone else—hoarding DRAM supply, threatens to deliver higher prices & less capable products in 2026. This deliberate act has forced society to suffer, with Altman showing blatant unconcern for humanity & tech in general, prioritising his own profits & Israel’s strategic agenda over global welfare. In this article, we’ll explore why investing in 2025 tech before the year ends is the wiser choice, focusing on the looming reversal of feature upgrades, Samsung’s internal SSD production shifts & their bold silver mining deal—all exacerbated by Altman’s self-serving schemes.
The Reversal of Tech Progress: Lower Specs at Higher Prices
Until recently, the tech industry has followed a predictable upward trajectory, with devices boasting improved specifications & features year after year. Laptops with 16GB or 32GB of RAM & smartphones with 8GB or 12GB became the norm, reflecting growing demand for performance in gaming, AI applications, & multitasking. However, this progress has been derailed by Sam Altman’s ruthless hoarding of DRAM, forcing society to endure a crippling shortage. A TrendForce report predicting a 2026 memory shortage, with Altman’s OpenAI cornering 40% of global DRAM production, diverting high-bandwidth memory (HBM) for AI data centres, as confirmed by a 2024 IEEE study. This has compelled manufacturers like Dell & Lenovo to revert to 8GB RAM laptops & 4GB RAM phones, despite Windows 11’s 6GB idle requirement & a 2023 Microsoft study recommending 16GB for optimal performance. Viral memes like the one used as the featured image of this article, capture the public’s outrage. Historical parallels, such as the 2018 cryptocurrency mining boom that spiked DRAM prices by 20-30% quarterly (DRAMeXchange), pale in comparison to Altman’s profit-driven disruption. Dell’s planned 10-30% price hike for commercial PCs reflects the fallout, with Business Insider’s verified leak suggesting artificial supply constraints, echoing the 2011 Thailand floods that cut hard drive production by 30% & raised prices for months. Waiting until 2026 could mean paying more for downgraded devices, a direct result of Altman’s greed. Further evidence reveals Altman’s Stargate project has stockpiled 900,000 undiced DRAM wafers monthly (Bloomberg, Tom’s Hardware), reducing consumer supply by 15% & mirroring the 2018 crypto surge’s market squeeze. HSBC’s 2025 analysis projects OpenAI’s unprofitability with a $207 billion deficit, suggesting Altman’s strategy serves Israel’s interests over global tech access. As I first reported on August 5, 2025, in the Necrolicious article, we have already seen unprecedented price increases for older tech, with the Nintendo Switch’s price going up rather than down as it is phased out, breaking the trend of all previous generation consoles—a clear sign of the broader supply crisis Altman’s actions have triggered. As antitrust laws, particularly the Sherman Antitrust Act and Clayton Act, should be applied against Sam Altman to address his alleged hoarding of 40% of global DRAM supply, as noted in the 2024 IEEE study, which has triggered a 15% supply drop (TrendForce) and driven price hikes like Dell’s 10-30% increase. This behavior, potentially constituting monopolistic practices and exclusionary dealing with companies like Samsung, unfairly restricts market access, forces society to endure higher costs and lower-spec tech, and prioritizes Altman’s profits and Israel’s agenda over public interest—making this an exemplary case for FTC or DOJ intervention to prevent further anti-competitive harm, as seen in precedents like the Microsoft case.
Addressing Legal Intervention Challenges
While antitrust laws like the Sherman Act & Clayton Act provide a clear framework to challenge Altman’s monopolistic practices, the question of enforcement looms large. If government agencies like the FTC or DOJ are compromised—potentially influenced by lobbying, corporate ties or geopolitical alignments with Israel—public pressure becomes critical. Grassroots campaigns highlighting Altman’s DRAM stockpiling & its $207 billion deficit (HSBC 2025), could force transparency. Filing citizen petitions, leveraging independent investigations, or escalating the issue to international bodies like the EU’s Digital Markets Act enforcers might bypass compromised domestic channels, ensuring accountability despite potential insider bias.
Samsung’s Internal SSD Dilemma
Rumours of Samsung phasing out SATA SSD production have stirred the tech community, with a NotebookCheck report suggesting an 18-month price surge worse than recent RAM shortages. Although Samsung denied these claims via statements to Wccftech, the speculation reveals internal pressures intensified by Altman’s DRAM hoarding. Even within Samsung’s divisions, SSD availability is strained as the company pivots to HBM for data centres, a shift dictated by Altman’s insatiable demand for his AI empire, potentially aligned with Israel’s tech dominance goals. This aligns with industry trends, where Samsung & SK Hynix dominate 90% of the RAM market (Counterpoint, October 2025). The potential end of SATA SSD production hints at a focus on enterprise needs, driven by Altman’s profit-focused OpenAI, leaving consumers with fewer storage options. Buying SSD-equipped devices now, before supply cuts or price hikes in 2026, could shield your tech setup from his self-serving influence.
Beyond memory, Samsung’s $7 million prepayment to Silver Storm Mining for two years of silver output from the La Parrilla mine in Mexico is a direct response to supply chain insecurities worsened by Altman’s actions. Reported by @Sorenthek, this move reflects surging industrial demand for silver in solar panels & electric vehicles, with a 2024 IEA report noting a 25% annual increase, outpacing mining’s 2% growth. The Silver Institute’s 2025 forecast of a 95-118 million ounce deficit suggests a physical shortage, prompting manufacturers to secure supplies—partly to support tech components Altman’s AI ventures, potentially benefiting Israel, rely on. This strategy echoes the 2011 rare earth crisis, where China’s export cuts drove prices up by 1,000% due to supply bottlenecks. Samsung’s offtake agreement may preempt similar disruptions, but it also signals potential cost increases for consumers, a ripple effect of Altman’s unconcern for societal impact, focused solely on his profits & geopolitical agenda.
Why Act Now?
With only 10 days left in 2025, the evidence is clear: waiting risks higher costs & downgraded specs, a crisis orchestrated by Sam Altman’s DRAM hoarding. Laptops with 8GB RAM & phones with 4GB, already creeping back into production, will likely carry premium prices next year due to the shortage he’s engineered. Samsung’s potential SSD pivot & silver stockpiling indicate a shift toward enterprise priorities, leaving consumer tech to suffer under his profit-driven neglect. To optimise your purchase, consider current deals on devices with 16GB+ RAM & SSD storage. Websites like TechRadar recommend the 13-inch MacBook Air M4 at $749 (down from $999) as a smart buy before RAMageddon hits. Act swiftly to secure 2025 tech & avoid the 2026 price surge for less capable products.
The tech landscape is at a turning point, with supply chain shortages reversing decades of spec improvements, a disaster unequivocally caused by Sam Altman—a Jew allegedly working for Israel—hoarding DRAM for his own profits & geopolitical interests. His unconcern for humanity & tech in general has forced society to pay the price, while Samsung’s moves—scaling back SSDs & securing silver—reflect a response to his self-serving AI agenda. This is an exemplary case where antitrust laws & FTC intervention should apply, yet the challenge remains: how do we compel the law to act when government bodies may be compromised by similar interests? With 2026 poised to bring higher prices for lower-spec devices, buying 2025 tech now is not just a smart move but a necessary one. Don’t wait—secure your devices before the year ends & resist Altman’s profiteering curve.
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This post was sponsored by…ME! If you’d like to support, please buy my original meme merchandise or check out my affiliate links to get yourself some other cool things. Additional affiliate links may be contained in the above article. If you click on an affiliate link & sign up/make a purchase, I may earn a commission. This does not increase the price you pay for the product or service, so it helps support this website at no cost to you.
In a significant move to foster competition in the digital marketplace, Japan’s Fair Trade Commission has announced that a landmark law will take effect on 18 December 2025. This legislation targets the longstanding dominance of global tech giants such as Apple & Google over smartphone ecosystems, aiming to empower consumers with enhanced options for app stores, web browsers & search engines. As the nation continues to solidify its position as a leader in mobile technology innovation, this development signals a proactive stance on regulating Big Tech while balancing the need for user security.
Breaking the Monopoly: What the Law Entails
At its core, the new regulations prohibit companies like Apple & Google from restricting access to third-party app stores on iOS & Android devices sold in Japan. Previously, users were largely confined to the official App Store for iPhones or the Google Play Store for Android phones, limiting choices & potentially stifling innovation from smaller developers. Under the updated framework, these firms must permit alternative distribution channels, opening the door for independent app marketplaces to thrive.
Beyond app stores, the law extends its reach to default services. For the first time, new smartphone users — & those updating their operating systems — will encounter prompts offering multiple selections for web browsers & search engines. This means an end to the automatic preselection of Safari or Chrome as defaults, or Google Search as the primary engine, providing greater flexibility tailored to individual preferences.
The Fair Trade Commission emphasises that these changes are designed to “improve convenience by encouraging new market entrants.” By levelling the playing field, the authority anticipates a surge in diverse offerings, from localised apps optimised for Japan’s unique digital landscape to innovative tools that cater to specific user needs, such as enhanced privacy features or seamless integration with domestic services.
The Broader Implications for Consumers & the Tech Sector
For everyday smartphone users in Japan, the immediate benefits could include access to a wider array of applications without the barriers imposed by proprietary ecosystems. Developers, too, stand to gain: reduced reliance on dominant platforms may lower commission fees — often as high as 30% — allowing for more affordable apps & faster iteration on user feedback. In a market where mobile penetration exceeds 90%, this could accelerate the adoption of cutting-edge technologies, including AI-driven tools & augmented reality experiences that align with Japan’s forward-thinking tech culture.
However, the transition is not without challenges. Public comments submitted to the Fair Trade Commission have highlighted legitimate concerns over user security. Critics argue that third-party app stores might introduce vulnerabilities, such as unvetted software or inconsistent data protection standards, potentially exposing users to malware or privacy breaches. The commission acknowledges these risks & has committed to ongoing monitoring, with provisions for swift enforcement against non-compliant entities. To mitigate these issues, the law includes safeguards requiring all app distributors to adhere to rigorous certification processes, ensuring that security remains paramount.
This balanced approach reflects Japan’s regulatory philosophy: promoting fair competition without compromising the trust that underpins its world-class digital infrastructure. As one of Asia’s largest economies, Japan’s actions could serve as a model for other nations grappling with similar antitrust dilemmas in the smartphone sector.
A Step Towards a More Inclusive Digital Future
The enactment of this law on 18 December marks a pivotal moment in Japan’s efforts to democratise access to technology. By challenging the status quo, it not only enhances consumer choice but also invigorates the local tech ecosystem, fostering innovation that benefits developers, businesses & users alike. While security concerns warrant vigilant oversight, the potential rewards — a more dynamic, user-centric mobile landscape — are substantial.
As the implementation unfolds, stakeholders will watch closely to assess its real-world impact. For now, this legislation underscores Japan’s commitment to an open & equitable digital economy, one where choice drives progress.
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In a significant development for the gaming industry, Katsuhiro Harada, the renowned director and chief producer of the iconic Tekken series, has announced his departure from Bandai Namco at the end of 2025. The announcement, made via a heartfelt post on X at 08:52 UTC on 8 December 2025, coincides with the 30th anniversary of Tekken, marking the close of a remarkable chapter for one of the most influential figures in fighting game development.
I’d like to share that I’ll be leaving Bandai Namco at the end of 2025. With the TEKKEN series reaching its 30th anniversary—an important milestone for a project I’ve devoted much of my life to—I felt this was the most fitting moment to bring one chapter to a close.
Harada’s tenure with Bandai Namco has been defined by his stewardship of the Tekken franchise, which debuted in 1994. His journey began modestly, transporting arcade cabinets to small tournaments in Japanese arcades and community centres overseas. These early experiences, where he engaged directly with players, shaped his approach to game design and fostered a deep connection with the global gaming community. Over the years, he oversaw the evolution of Tekken into a global phenomenon, contributing to titles such as Tekken 8, alongside diverse projects including Summer Lesson, Pokkén Tournament, and the Soulcalibur series.
The decision to step away follows a period of personal reflection, triggered by the loss of close friends and the retirement or passing of respected senior colleagues. Harada sought counsel from Ken Kutaragi, a pivotal figure in the gaming industry known for his role in developing the PlayStation, whose guidance reinforced his resolve. Over the past four to five years, Harada has gradually transferred his responsibilities, including story development and worldbuilding, to the Tekken team, ensuring a smooth transition.
The Announcement & Future Plans
In his X post, Harada expressed profound gratitude to fans, communities worldwide, and colleagues for their support throughout his career. He highlighted the 30th anniversary as an opportune moment to conclude this phase, stating, “I felt this was the most fitting moment to bring one chapter to a close.” While he has not disclosed his next steps, he promised further updates in due course, suggesting that his departure does not signify a full retirement from the industry.
A notable addition to the announcement is Harada’s commitment to attend the Tekken World Tour (TWT) Finals in late January 2026 as a guest, at Bandai Namco’s invitation. Furthermore, fulfilling a long-standing promise, he has released a 60-minute DJ mix titled ‘TEKKEN: A 30-Year Journey – Harada’s Final Mix’, available on SoundCloud (https://on.soundcloud.com/pEYofA4yXOwyC7lj0O). This personal project, edited by Harada himself, serves as a nostalgic tribute to his 30-year tenure, evoking memories for fans and players alike.
Community Response & Industry Impact
The announcement has elicited an outpouring of emotion from the gaming community, with over 8,300 likes, 2,200 reposts, and 380,000 views on X within hours. Fans, professional players such as DRX｜KNEE, and industry figures like MarkMan have shared tributes, recounting personal stories of how Tekken shaped their lives. The official @TEKKEN_Project account also responded, outlining Harada’s retirement and reaffirming the franchise’s ongoing development.
Harada’s departure represents a pivotal moment for the fighting game genre. His candid engagement with the community, including addressing fan concerns on social media, has been a hallmark of his leadership. This transition underscores a shift in Tekken’s direction, with the franchise now poised to build on his legacy under new leadership.
Katsuhiro Harada’s exit from Bandai Namco after 30 years is a testament to his enduring influence on the Tekken series and the broader gaming landscape. As the industry bids farewell to a veteran leader, anticipation builds for his next endeavours. Fans and professionals alike await further details, while the Tekken community prepares to honour his legacy at the upcoming TWT Finals.
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In case you missed it, like I did, TikTok quietly rolled out an update that doubles the length of user bios. It was previously only 80 characters, but it is now 160 characters, which feels luxurious by comparison. Thanks to this update, I am now able to better describe what my channel is about, as well as tag my other accounts. I do not know why TikTok did not make a bigger deal out of this. I never even got a notification about it & just found out randomly last night, but it is a welcome addition. If you have always wanted to add more information to your profile, now is your chance to update it.
Please note: I am only providing this information for TikTok users outside of the US. American TikTok is owned by a separate entity which I am boycotting. Because of this, I removed all the content from my previous channel after even support would not help me change its region to Japan.
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My former employer, Apple, is turning heads. Not for releasing amazing cutting edge technology as fans previously could have rightfully assumed, but for selling what many are calling a stretched out sock for 40,000 yen. You read that right, this sock costs more than a new Apple Watch.
Once renowned as a leader in technological innovation, Apple has really reached a new low with this in my opinion. There’s nothing “tech” about a sock that probably costs them less than 10 cents to make. It’s not even a prestigious rare, valuable fabric, but a standard 85% polyester blend. The Issey Miyake branding deal undoubtedly inked to lend this pathetic release with any sort of credence probably costed more than all of materials/production cost of the actual items combined. I wouldn’t be able to help but lose respect for anyone I see using this product that they could make for themselves in seconds for 50 yen with just a knife & a knee-high sock bought at a 100 yen store. To own this Apple product is really a testament to both incompetence & apathy.
Frequently, obviously struggling to innovate beyond copying Android features from 5-10 years prior since his passing, it has repeatedly been said that Steve Jobs has been rolling in his grave at what has become of his company, but at this point we may well assume this latest release has turned him into the Looney Tunes Tasmanian Devil down there.
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People who listen to me always benefit greatly, while people who ignore me always later weep & wail in regret wishing they had listened to me. Which type of person are you?
On 1 February 2025, I published an certain article. The headline read: “With New 25% Tariffs Going Into Effect Monday – Is This the Best Weekend Ever to Buy Silver?”
I shared it across social media & declared without hesitation: This weekend – 1 & 2 February – is the final opportunity to acquire silver at pre-tariff prices.
On Monday, 4 February 2025, the 25% tariffs on imports from Canada & Mexico took effect. Silver never traded at those $30 levels again.
The Figures Speak for Themselves – I Pinpointed the Precise Low
My recommended purchase window (1–2 February): Spot silver settled the previous Friday between $31.80 & $32.40 per ounce. Physical bullion remained available at $33–$35 all-in from weekend dealers.
Nine months later: Silver reached an all-time nominal high of $54.47 on 17 October 2025.
Return for those who followed my advice: +67% to +75% in fewer than 300 days. → A $10,000 position acquired that weekend grew to $17,500 by late October.
I did not rely on fortune. I recognised that Mexico accounts for 44% of United States silver imports & Canada another 18%. I understood that markets would be closed all weekend, preventing institutional front-running & delaying premium increases.
I instructed readers to act while the COMEX was dark. Anyone who listened to me secured considerable gains.
The Two Strongest Consecutive Quarters in Over a Decade
The two quarters immediately following my article – Q1 & Q2 2025 – produced the most powerful sustained advance silver has recorded in the modern era.
Period
Advantage of My Timing
Outcome
Q1 2025 (Jan–Mar)
Purchased immediately before 4 February tariffs
+15% quarter; high $34.21
Q2 2025 (Apr–Jun)
Tariffs fully absorbed + industrial supply shock
+28% quarter; 14-year highs near $37
Combined Q1–Q2
Entry during my weekend window
+48% in six months
No comparable two-quarter period in the past fifteen years delivered equivalent consistent gains without a subsequent 30–50% retracement.
The 2020 COVID rally achieved +85% across two quarters, followed by a 35% collapse.
The 2016 post-Brexit recovery managed +33%.
The 2011 pre-peak surge produced one exceptional quarter, then a multi-year bear market.
My recommendation delivered a clean, tariff-catalysed ascent to record territory – without interruption.
Evidence That I Issued the Call First – & Most Decisively
Timestamped. Unaltered. No retrospective revision.
The Final Assessment
History now confirms 1 & 2 February 2025 as the single most advantageous weekend to acquire physical silver in the modern era.
I identified the impending tariff impact. I specified the precise 48-hour window. I watched likeminded investors convert thousands of dollars into tens of thousands of dollars while mainstream analysts continued forecasting $28 silver.
Therefore, I claim this victory with justification.
To those who acted on my article – well done; your silver holdings have appreciated in value by more than 70%. To those who did not – you missed this cycle, but you’re not too late. Silver price has been suppressed for 150 years & has a lot of upward action to make up for. Many say silver’s price could even quadruple within the next 2 quarters.
Don’t miss out.
Yours in silver, – Necrolicious The analyst who identified the silver price bottom on 1 February 2025 & can prove it.
I’m not a financial advisor & this is not financial advice, I’m just heavily invested in silver.
Capcom has announced a surprising collaboration between the iconic horror franchise Resident Evil & the Japanese kawaii metal band BABYMETAL. This partnership, revealed during a BABYMETAL live viewing event, marks the 30th anniversary of Resident Evil & promises to deliver exclusive merchandise in 2026. The announcement, featuring the formidable Lady Alcina Dimitrescu, has ignited a flurry of excitement & speculation among fans worldwide.
Alcina Dimitrescu descends from Resident Evil Village with some very special news. BABYMETAL (@BABYMETAL_JAPAN) and Resident Evil are joining forces to celebrate 30 years of survival horror. Get your hands on exclusive collaboration merchandise, coming in 2026. See you. pic.twitter.com/SqkuvDTxuf
The collaboration between Resident Evil & BABYMETAL is as unexpected as it is intriguing. BABYMETAL, known for their blend of J-pop & heavy metal, have carved a niche for themselves since their debut in 2010. Their music, characterised by its high-energy performances & a fusion of idol culture with metal, has garnered a global following. On the other hand, Resident Evil, a cornerstone of the survival horror genre since its inception in 1996, has consistently pushed the boundaries of narrative-driven gameplay & cinematic horror.This partnership is not merely a crossover but a celebration of two distinct yet complementary worlds. The announcement video, which features Lady Dimitrescu in a gothic setting, hints at a thematic alignment between the dark, eerie aesthetic of Resident Evil & the theatrical, intense performances of BABYMETAL. The video’s subtitles & imagery suggest that the collaboration will extend beyond mere branding, potentially influencing the design & marketing of the anniversary merchandise.
The Role of Lady Dimitrescu
Lady Alcina Dimitrescu, one of the most memorable antagonists from Resident Evil Village, serves as the face of this collaboration. Her towering presence & vampiric allure have made her a fan favourite, & her involvement in the announcement underscores the significance of this partnership. The video’s narrative, delivered in her characteristic menacing tone, teases fans with the promise of “exclusive collaboration merchandise” & a 2026 release date. This strategic use of a beloved character not only heightens anticipation but also bridges the gap between the game’s horror elements & BABYMETAL’s metallic edge.
A Milestone for Resident Evil
2026 marks the 30th anniversary of Resident Evil, a milestone that Capcom is evidently intent on celebrating with grandeur. The franchise has evolved significantly since its debut, with titles like Resident Evil 4, Resident Evil 7: Biohazard, & Resident Evil Village redefining the genre. The collaboration with BABYMETAL is a testament to Capcom’s willingness to explore new avenues for engagement, leveraging the band’s international appeal to reach a broader audience.The announcement comes on the heels of other 30th-anniversary initiatives, including the upcoming Resident Evil Requiem, scheduled for release on February 27, 2026. This game, revealed during Summer Game Fest, promises to continue the legacy of survival horror, & the BABYMETAL collaboration adds an additional layer of excitement to the anniversary celebrations.
BABYMETAL’s Continued Influence
For BABYMETAL, this collaboration is another chapter in their ongoing narrative of genre-blending innovation. Since their formation, the band has collaborated with various artists & brands, including appearances in WWE events & partnerships with other metal acts. Their latest album, Metal Forth, released in August 2025, showcases their evolution & willingness to experiment, making this tie-up with Resident Evil a natural extension of their creative trajectory.The band’s influence extends beyond music, as evidenced by their impact on fashion, performance art, & even video game culture. Their ability to merge disparate elements—kawaii aesthetics with aggressive metal—mirrors the thematic undertones of Resident Evil, where horror is often juxtaposed with moments of unexpected beauty or humanity.
What to Expect
While details about the merchandise remain scarce, the announcement video suggests a range of possibilities. Fans can anticipate items that reflect both the dark, gothic themes of Resident Evil & the energetic, metallic vibe of BABYMETAL. This could include apparel, accessories, & perhaps even limited-edition collectibles that encapsulate the essence of both brands.The collaboration’s timing, aligning with the 30th anniversary & the release of Resident Evil Requiem, indicates a strategic effort to maximise impact. It also raises questions about potential future integrations, such as in-game references or concert-themed events that could further blur the lines between gaming & live performance.
The collaboration between Resident Evil & BABYMETAL is a bold statement of how established franchises can reinvent themselves through unexpected partnerships. It celebrates three decades of survival horror while embracing the innovative spirit of a band that has redefined metal music. As we look forward to 2026, this union promises to deliver not just merchandise but a cultural moment that resonates with fans of both worlds.Stay tuned for more updates as Capcom & BABYMETAL unveil the details of this exciting collaboration. In the meantime, the anticipation builds, much like the tension in a Resident Evil game, waiting for the next revelation to emerge from the shadows.
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