One UI 7では、古い写真をテンプレートとして使用してカスタムフィルターを作成できるため、アイボリーで撮影した写真を選択すれば簡単にアイボリーフィルターを再現できるように思えます。しかし、これはうまくいきません。アイボリーフィルターの特徴は、単に白を過度に露出させるだけでなく、ピンクや赤の色調にネオンのような輝きを加え、全体を柔らかくする夢のような霞を施す点にあります。アイボリーで撮影した写真を使ってカスタムフィルターを作成すると、白の露出は半分程度再現されるものの、ネオンの色調は得られず、霞も柔らかなぼかしではなく灰色がかってしまいます。この点は、私の紫色のコンタクトレンズを基準に評価しました。アイボリーフィルターではレンズに劇的な鮮やかさが加わるのに対し、カスタムフィルターではその効果がありません。
I previously expressed concern that Ivory was gone from the S25 demo models, but I guess my Samsung Flip 4 was set to automatically update, because when I picked it up last week, I realised it had updated to One UI 7. I didn’t have any particular problem with this, since I don’t generally use this old phone—its screen is cracked, so it mainly functions as a surveillance camera at this point—but I decided to take a tour of what One UI 7 offers, & to my horror, I discovered that the Ivory filter was gone, replaced with the same camera set up as the S25.
I had been waiting to install One UI 7 on my daily use Flip 6, but seeing that the Ivory filter—my favourite, main filter—was gone, I am now doing EVERYTHING I can to prevent One UI 7 from installing on this main phone. After all, the fact that iPhone did not have any such filter was a major factor in why I got a DJI Pocket 3 but STILL switched back to Samsung after only about 6 months–having 2 devices, neither of which had my preferred filter just to get kind of close to what I wanted was just too much hassle to deal with.
Anyway, in an effort to avoid what now appears to be inevitable, as well as to help others who are currently experiencing the same issue, I preemptively tried looking for a replacement for the Ivory filter on the updated Flip 4 by downloading EVERY available filter. Here are my findings. Note that the Ivory filter is applied on the Flip 6 on the right for reference.
Since One UI 7 allows you to create custom filters by using old photos as a template to apply to new ones, it seems like a no-brainer that you could easily get the Ivory filter back by simply selecting an Ivory-shot photo for this purpose, but that doesn’t work. What makes the Ivory filter special isn’t just that it overexposes whites—it ALSO adds a neon tinge to pink/red hues & a slight, dreamy haze to soften everything. Trying to create a custom filter using an Ivory-shot photo only succeeds halfway in the former aspect; you don’t get any neon hues, & the haze is more grey than soft fuzziness. My frame of reference for this is my purple contact lenses, to which the Ivory filter always lent a dramatic pop. As you can see, no such thing happens when using this custom filter.
Therefore, I cannot recommend this method of trying to get the Ivory filter back. If your goal is simply to look pale, goth or vampiric, there are better options than trying to use an Ivory-filtered photo to create a custom filter in an attempt to replace it. For those who want a closer replacement to the original Ivory filter, with neon tinge & dreamy haze, these are the best free downloadable filters that I can find for the native camera app. There may be additional third-party camera apps which better replicate the Ivory filter, but for the purpose of this article I am only focusing on downloadable filters which are available through the native Samsung camera app therefore requiring no additional apps or in app purchases/subscriptions. I’d like to further mention that this article is in no way sponsored by Samsung or these filter developers (but please sponsor me someday, Samsung!).
This one probably has the most white. As you can tell, that also washes out even the blacks in any image. If you’re going for contrast, the greys this offers might not be what you want.
This one offers more contrast to dark colours, especially when compared to CK01, but it imparts slightly beige tones as well. If you want brighter whites, this might be too neutral.
This one seems to offer the most pinks/reds of any of the three options. Like CK01 It lacks contrast when presenting any darker colors, making NewYork14 more attractive to any who wants darker blacks.
As you can tell, there is no exact one-for-one match to the real Ivory, making older devices or keeping current devices on older UI a more attractive option.
There seems to be an increasing demand for the return of the Ivory filter. You can do your part by joining the increasing number of voices asking Samsung to restore it but, in the meantime, it seems like these are the best available replacements.
As a bonus mention, somebody else in Samsung forums suggested the c360p1 filter as an Ivory replacement, but I have no idea why they did this because it doesn’t look like Ivory at all. It’s just washed out with no neon pop or haze.
Buy a Samsung Galaxy Z Flip6 & Don’t Update to One UI 7 To Keep the Ivory Filter!
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The jews over at Netflix have once again taken Japanese characters cherished for their kawaii factor & turned them into ugly gays &/or blacks to demoralise the goyim of the west.
Netflix announced BET, a live-action adaptation of the beloved Japanese manga Kakegurui – to the anger of apparently all who laid eyes upon its cursed trailer. The manga, crafted by Homura Kawamoto & Toru Naomura, has garnered a global following since its 2014 debut, selling over five million copies & spawning a successful anime by Studio MAPPA, as well as a Japanese live-action series in 2019. Known for its high-stakes gambling premise set in an elite school where students wager their futures, Kakegurui blends psychological intensity with a distinctly Japanese aesthetic. However, the excitement for BET quickly turned to outrage as fans voiced their frustration over what they perceive as a betrayal of the original intellectual property, accusing Netflix of cultural erasure & “blackwashing” the Japanese characters.
— Kusa 🐉 🔎🇻🇳 (commission open) (@LPT_kusa) April 22, 2025
The core of the backlash lies in the adaptation’s sharp deviation from the source material. Kakegurui is deeply rooted in Japanese culture, from its setting at Hyakkaou Private Academy to the nuanced character designs that reflect specific archetypes within Japanese storytelling. The manga’s protagonist, Yumeko Jabami, is a cunning transfer student whose gambling obsession disrupts the school’s rigid hierarchy, a narrative that thrives on its cultural context. Fans argue that BET, set in a generic “global elite boarding school” & helmed by Simon Barry—known for Warrior Nun—strips away this cultural specificity. The decision to film in Toronto with a predominantly non-Japanese cast, led by Miku Martineau as Yumeko, has fuelled accusations that Netflix is prioritising woke Blackrock demands over authenticity.
A significant point of contention is the casting, which fans claim “blackwashes” the characters by altering their ethnic identities to fit diversity quotas. In the original manga & anime, characters like Yumeko, Mary Saotome, & Kirari Momobami are explicitly Japanese, their appearances & mannerisms reflecting this heritage. The Japanese live-action adaptation, already available on Netflix, stayed true to this by casting Japanese actors like Minami Hamabe & Aoi Morikawa, preserving the cultural integrity of the story. In contrast, BET’s diverse™ ensemble has been criticised for erasing the Japanese identity of the characters. Fans argue that this change undermines the story’s authenticity, as the cultural backdrop of Kakegurui is not merely decorative but integral to its themes of power, privilege, & rebellion within a Japanese societal framework.
The outrage also reflects a broader frustration with Netflix’s track record of adapting anime & manga. Past attempts, such as the 2017 Death Note live-action film, faced similar criticism for raceswapping characters & failing to capture the essence of the source material. Fans feel that Netflix has not learnt from these missteps, instead doubling down on a pattern of prioritising DEI/ESG quotas over fidelity. The existence of a well-received Japanese live-action Kakegurui series further fuels the argument that BET is subversive & demoralising in its ugliness.
Social media has become a battleground for this discontent, with fans lamenting the loss of key elements like the character Sayaka Igarashi & the manga’s signature campy tone. They fear that BET will dilute the story’s unique blend of intensity & absurdity, replacing it with talmud-sanctioned slop that lacks all but the faintest semblance of the original. For many, this adaptation symbolises a larger issue in the entertainment industry: the commodification of Japanese intellectual properties without respect for their cultural roots.
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I think Japanese people are trying to be polite by saying gaikokujin instead of gaijin but, even though I’ve never been called a gaijin (& have even been mistaken for a Hāfu), I’d personally rather just be called gaijin for several reasons.
Gaijin Is Not Particularly Insulting or Offensive Overseas
Even if there was a truly mean Japanese person who wanted to insult foreigners, no foreigners would particularly be offended to be called “gaijin” since it just means “non-Japanese person” to us. Gaijin know we’re gaijin. That’s why there are countless websites, social media accounts and services which utilise the word gaijin. I refer to myself as gaijin. I refer to other gaijin as gaijin, & all of them do the same. I don’t think I’ve ever heard another gaijin say gaikokujin instead of just gaijin.
No One Outside of Japan Knows What “Gaikokujin” Means
Even coming to Japan with more than a fair bit of Japanese language skills, I never even heard of this term before coming here.
Kanji Readings & the Lack of Foreigners’ Comprehension of Them May Actually Make Gaikokujin MORE Offensive Than Gaijin
As stated above, almost no one overseas knows what gaikokujin means. Most know gaijin as “foreigner” while some might know kokujin as black person or African. However, unless someone knows that the readings of 国 & 黒 are both koku but have very different meanings, their minds might construct something like 「外黒人」which is far worse. I’m not a black person & I don’t want to be called one 😂 I’d much rather be called a gaijin than a black guy.
Conclusion
Basically, use gaijin or gaikokujin freely as you wish, but just take these things into account. Again, even a truly hateful person trying to hurt foreigners’ feelings by calling them gaijin would fail to offend anyone in doing so.
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If you would like to support my work more directly, I accept voluntary cryptocurrency donations in BTC, ETH, XRP & XLM sent directly to necrolicious.x. necrolicious.x is an Unstoppable Domains name that resolves to the wallet addresses I have configured. Simply enter necrolicious.x as the recipient in a supported wallet (such as Trust Wallet, Blockchain.com or others that support Unstoppable Domains). Donation Disclaimer: All cryptocurrency donations sent to me are final, voluntary gifts & are non-refundable & irreversible. These donations are not tax-deductible since I am not a registered charitable organization, & no tax receipts will be issued. No memo or destination tag is required for XRP or XLM donations, as the domain resolves directly to a wallet address. By sending a donation you acknowledge & accept all associated risks, including cryptocurrency price volatility, network fees & potential loss of funds due to incorrect network selection or transaction errors. I am not responsible or liable for any loss related to your donation. No goods, services or other benefits are provided in exchange for donations. This is not financial, tax, legal or investment advice. Please consult a qualified professional regarding any implications of your donation.
As trade wars escalate, tariffs on imported goods have sent shockwaves through global markets, with the gaming industry emerging as an unforeseen casualty. Independent game developers—the lifeblood of innovation within this sector—are grappling with unprecedented challenges. Operating on limited budgets & reliant on international supply chains, these creators face mounting pressures that threaten their sustainability. This article examines the far-reaching impact of tariffs on indie gaming, analysing rising production costs, shifting price dynamics, adaptive strategies, & the broader implications for the industry’s future.
Escalating Costs: A Barrier to Creativity
For indie developers, affordable hardware is essential. Graphics processing units (GPUs), development kits, & other critical components, often sourced from tariff-targeted nations like China, have seen price surges—sometimes exceeding 30%. Such increases strain the finances of small studios, which lack the reserves of larger firms. The consequences are severe: projects may be deferred, features scaled back, or, in extreme cases, abandoned entirely. As one industry observer noted, “These costs are inevitably passed on to consumers, & this is going to make your games more expensive,” highlighting the direct link between tariffs & the economic pressures facing developers.
Price Sensitivity & Consumer Response
Rising production costs inevitably affect game pricing, a sensitive issue for indie titles traditionally positioned as budget-friendly alternatives to AAA offerings. As developers pass on these expenses, consumers—already navigating tariff-driven inflation in other sectors—may resist higher prices, potentially reducing sales volumes. Compounding this, the uncertainty of ongoing trade disputes fosters market instability, prompting gamers to delay purchases. This hesitancy risks further eroding the revenue streams that indie studios depend upon, amplifying the tariffs’ disruptive impact.
Strategic Adaptations: Resilience in Adversity
In response, indie developers are deploying innovative strategies to mitigate these pressures. A shift towards digital-only releases leverages platforms like Steam & itch.io, circumventing the tariff-related costs of physical production & distribution. However, even this approach cannot fully insulate developers from rising hardware expenses. Some are exploring alternative suppliers or localised manufacturing, though such transitions demand time & resources that many lack. Larger players, such as Nintendo, have adjusted by delaying product launches—such as the anticipated Switch 2 preorders in the US—to assess tariff implications, a tactic smaller studios may struggle to emulate.
Long-Term Horizons: Transformation or Decline?
Should tariffs persist, the indie gaming landscape could undergo profound changes. A reduction in new releases seems likely as funding dwindles, though a pivot towards less resource-intensive games—such as narrative-driven or retro-style titles—might emerge as a cost-effective alternative. This shift could spark a wave of creative innovation, redefining the sector’s output. Concurrently, regions less encumbered by trade disputes may witness a rise in local gaming industries, diversifying the global market. However, these potential benefits hinge on developers’ ability to weather immediate financial challenges.
Preserving a Vital Ecosystem
The indie gaming sector stands at a critical juncture, its vibrancy imperilled by tariffs yet buoyed by its inherent adaptability. Community support remains a lifeline—crowdfunding & early access models offer avenues to offset costs, while player advocacy can sustain demand. The cultural stakes are high: a diminished indie scene risks stifling the creativity & diversity that define it. By prioritising indie titles, the gaming community can bolster this resilient ecosystem, ensuring that tariffs do not extinguish the innovative spirit that colours the industry’s future.
Unless otherwise noted, image assets above are NOT original content & are shared under fair use doctrine with NO claims to authorship or ownership. Contact necrolicious@necrolicious.com for credit or removal.
This post was sponsored by…ME! If you’d like to support, please buy my original meme merchandise or check out my affiliate links to get yourself some other cool things. Additional affiliate links may be contained in the above article. If you click on an affiliate link & sign up/make a purchase, I may earn a commission. This does not increase the price you pay for the product or service, so it helps support this website at no cost to you.
If you would like to support my work more directly, I accept voluntary cryptocurrency donations in BTC, ETH, XRP & XLM sent directly to necrolicious.x. necrolicious.x is an Unstoppable Domains name that resolves to the wallet addresses I have configured. Simply enter necrolicious.x as the recipient in a supported wallet (such as Trust Wallet, Blockchain.com or others that support Unstoppable Domains). Donation Disclaimer: All cryptocurrency donations sent to me are final, voluntary gifts & are non-refundable & irreversible. These donations are not tax-deductible since I am not a registered charitable organization, & no tax receipts will be issued. No memo or destination tag is required for XRP or XLM donations, as the domain resolves directly to a wallet address. By sending a donation you acknowledge & accept all associated risks, including cryptocurrency price volatility, network fees & potential loss of funds due to incorrect network selection or transaction errors. I am not responsible or liable for any loss related to your donation. No goods, services or other benefits are provided in exchange for donations. This is not financial, tax, legal or investment advice. Please consult a qualified professional regarding any implications of your donation.
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